Category Archives: artist

Heroes and Goddesses – A Travel Napkin Story, Part 2

The Truman Library

Before I met the two Goddesses I talked about in part 1, I visited the home of 2 of my heroes.  I met them at the Truman library in Independence, Missouri, just east of Kansas City.  Truman is obviously one of the men I am talking about.

Harry S. Truman Library and Museum

The other of my heroes is Thomas Hart Benton, the artist.  You may have read about him in my ongoing ‘Artists I Love’ series I have been doing the past few winters. He has one of his large murals in the lobby of the Truman Library.

‘Independence and the Opening of the American West’

 

The Buck Stops Here

One of the most famous sayings in Presidential history is from Truman. ‘The Buck Stops Here’ was his motto and has been restated by virtually every president since.  He actually had the saying on his desk, and you can see it right as you enter the museum.  Much of the museum is dedicated to the many decisions only Truman, as President, had the power to make.

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WAR

Bomb and Peace

Truman’s most controversial decision of his Presidency was one of his first. He chose to drop the Atomic Bomb on Japan.  It led to their surrender but the decision was never unanimous within his inner circle nor among the military.  It still is debated today.

One of the things I most admired in the Truman Museum was they did not shy away from bringing this controversy out in the open. they had a whole section dedicated to the arguments pro and con about the decision and allowed visitors to voice their opinion as well.

Here is a book visitors could write in giving their opinion and here is mine, in a drawing.

My opinion has always been that it wasn’t the dropping of the bomb that was the problem, it was dropping it on a population.  I think that if they had dropped it 5 miles off the coast of Tokyo, the Japanese, who already were trying to figure out how to sue for peace and still save face, would have seen what was coming and surrendered pretty much along the same time table they did after the bombs dropped on Hiroshima and Nagasaki.

A History of War

Off in the corner of the downstairs are of the museum there are two examples of war. The first, in the background, is a 5,000 year old helmet from a Greek warrior. In the foreground is a small reproduction of the sculpture commemorating the raising of the American flag on the island of Iwo Jima towards the end of WWII.  It’s a cruel testament to how incessant war is for us humans.

Plenty and Plenty of Nothing

But often out of the worst of events great efforts can arise.  While we in the US were starting to come out of the trauma of war, Europe was not.  Truman’s Marshall Plan was our initiative to help Europe make it’s way back.  

While Secretary of State Marshall’s name and face was front and center in the plan to help all of Europe back on it’s feet, it really was Truman’s initiative. He knew however that due to his own political baggage a plan with his name on it would not have the universal support it needed to succeed.  Marshall, the leader of the overall US War effort was one of the most popular men in the country and he was able to lead the project to fruition. 

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Civil Rights

A number of Benton’s paintings were on display at the museum in a temporary exhibition titled ‘Truman and Benton: Legends of the Missouri Border’ that documented the interrelationship between the two over the course of their lives.

The Negro Soldier

During the middle of WWII Benton painted this painting.  It was pretty controversial at the time.  It depicted an American soldier, but it was a ‘Negro’ soldier, not something white America was used to seeing or celebrating.  His choice to depict an African-American was his way of forcing people to see the black person as equal in war.  Not long after the war was over Truman, in spite of a typical Missouri upbringing of his era that was rooted in the racism of slavery and segregation, signed an executive order desegregating the US Armed forces.  It was met with much resistance in the south, breaking apart the Democratic party at the time, but very likely helped Truman win the 1948 election due to increased support in the north and west.

One of the reasons I like Truman is that, while by today’s standards he wouldn’t be considered enlightened on race, he certainly grew and moved beyond his own upbringing to move the country forward into racial equality as best he could at the time.  

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Communism

Communism and Korea

When North Korea invaded South Korea in 1950, the cold war got hot.  The policy of containment of communism had been fleshed out by the US and allies and it included not allowing the USSR or China to push into any areas they weren’t already occupying.  The amount of fear that pervaded the US at that time regarding communism is hard for most of us to understand now but it was real.  Some fears were valid but much was due to ranting demagogues like Sen. McCarthy and high pitched propaganda as seen below.

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Later

While the President and the Painter did not enjoy a friendship early on in their careers, they did become friends during the painting of the mural.  Benton did a painting of Truman later in his life.

The Old President

Benton’s Tools

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The museum was well worth the trip to Independence. If you are anywhere near Kansas City I highly recommend it.

Self-Portrait at the Truman Library

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Artists I Love – Francisco Goya – Winter Weekend Series

I am going back in time again. This time to Spain of the 18th and 19th Century.  Francisco Goya was a master painter and printmaker whose work ranged from sophisticated royal portraits to illicit nudes to disturbing depictions of war and violence.

goya self portrait

Francisco Goya – Self Portrait – 1795

Pretty and Sweet

He started out as an apprentice at age 14 and quickly moved up the ranks due to talent.  He eventually came to the attention of King Charles III, becoming an artist on the royal payroll.  He did pretty and sweet paintings of the Royal family to earn his keep.  At least they look that way to us now. But at the time he was known for not sugar coating the looks of his subjects.  He would be similar to a portrait photographer now who uses very little Photoshop on his work.

goya-duchess-of-alba-the-white-duchess-1795

Francisco Goya – Duchess of Alba – Oil on Canvas – 1795

goya - the straw manikin - 1792

Francisco Goya – The Straw Manikin – oil on canvas -1792

Even while he was painting supposedly idyllic scenes he was also infusing them with sometimes satiric or critical commentary about the state of Spain.

charles iv and family

Francisco Goya – King Charles IV of Spain and his Family – oil on canvas – 1800

The Fox in the Hen House

For example in the painting above the whole family is gathered but the Queen is in the center indicating greater power.  And behind the King on the right is a painting of Lot and is daughters from the Old Testament, a very obvious allusion to corruption and perversion at the time.  How he got away with these slights is a mystery, but he did.

Yea, so?

You might be asking, why do I love this guy anyway? He looks like a pretty average painter of pretty boring Royal portraits, so what’s the big deal?

Here’s the big deal.  in 1792 Goya came down with a mysterious malady, still unknown to this day, that caused him to go deaf.  It led him to become withdrawn, introspective and much more willing to create images that were filled with his dreams, nightmares, disillusionments, madness and violence.  These were directed at humanity, at France, at Spain, and the ceaseless political intrigue and the brutality of war.  We would almost certainly not care or no much about his work if he had not turned to these subject matters so decisively.  He didn’t give up his work as a painter of society and royalty, but he did work alone and intensely on images that were the complete opposite of his public image.

Los Caprichos

During my Sophomore year at Brandeis University I was able to study the prints of Goya at the Museum of Fine Art in Boston.  Two series really stood out to me.

The first was ‘Los Caprichos’.  In these images he depicts the folly of society, satirically making fun of both the high and low.

Francisco Goya – Now They Are Sitting Well – etching/aquatint – 1799

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Francisco Goya – Blow – etching – 1799

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Francisco Goya – Pretty Teacher – etching – 1799

 

The Disasters of War

The second series that stood out even more was his ‘Disasters of War’.  Spain had been invaded in 1808 by Napoleon’s army and conflict ensued for 6 years.  In response Goya painted his most famous piece, as well as countless prints for his series. 

goya-execution-of-the-defenders-of-madrid-3rd-may-1808-1814

Francisco Goya – The 3rd of May – oil on canvas – 1808-1814

This painting turned the corner in art from the classic world to the modern.  With this image Goya inspired centuries of artists to come to be bold and unsparing in their depictions of the true nature of war.

goya-this-is-worse-1815

Francisco Goya – This is Worse – etching – 1815

goya-bazan-grande-with-dead-1814

Francisco Goya – Bazan Grande with Dead – etching – 1814

These were not published until 35 years after his death.

The Black Paintings

Even when the fighting was over the Bourbon dynasty was restored to the throne, setting back many decades of enlightened liberal progress in Spain.  Goya was distraught over this. But worse yet was the likely dementia he was starting to experience.  His images became dark, disturbing treatments of not just society’s woes but his own internal struggle.

goya-the-sleep-of-reason-produces-monsters-1799

Francisco Goya – The Sleep of Reason Produces Monsters – etching/aquatint – 1799

The etching above wasn’t done towards the end of his life, but it illustrates both the mental madness he might have been experiencing and his belief in reason as a bulwark against such monsters, in life and in society.

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Francisco Goya – Colossus

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Francisco Goya – The Colossus – oil on canvas – 1812

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Francisco Goya – Saturn Devouring his Son – 1823

Madness

This image was painted on the walls inside his house, along with many others called ‘The Black Paintings’ from his later years.  

I can just imagine the torment he had in his head. But the amazing thing, and the reason he is an artist I love, is he kept creating.  He pushed forward and unflinchingly showed his vision of the world, for good and for bad.  

The Secret Maja

And now, just so we don’t end on a completely macabre note, here are two very similar images of the same woman.  They never were displayed publicly during his life but were displayed in the home of the owner and commissioner of the pieces. There is no consensus on who the woman is but some think she is the Duchess of Alba that is shown at the top of the article.  

goya-the-clothed-maja-1800

Francisco Goya – The Clothed Maja – oil on canvas – 1800

Francisco Goya - The nude Maja - oil on canvas - 1800

Francisco Goya – The Nude Maja – oil on canvas – 1800

It was quite the scandal for him to have painted the nude in the first place, but it was even moreso because there was no pretense of mythology or religion. It was an image of a real woman, not a long gone historical figure.  It’s probably the first major European painting to be painted and presented in this way since the Roman era.

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Winter 2012/2013

Winter 2011/2012

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The images in this article are all from the fantastic site ‘WikiPainting‘. I highly recommend exploring it.

If you would like to read more about Goya I would recommend starting here at the Metropolitan Museum of Art page about him. Of course you will find the most information about him in Spain, primarily at the Prado Museum where many of his masterpieces are on display. 

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Artists I Love – Robert Irwin – Winter Weekend Series

Transfixed

I first came across Robert Irwin while I was visiting Minneapolis for an art conference when I was in my 20s.  I took some time off and went to the Walker Art Center, one of the best museums in North America that I had heard about for many years. This is what I saw.

Robert Irwin – Untitled – 1968-69

If it’s hard for you to figure out what it is you are looking at, it’s on purpose. It was slightly less hard in person and that is what made it so profound for me. I had come across that incredible creative moment when something skews your understanding of space, of what is real, of what it is you are actually seeing.

What you are looking at is a convex plexiglass disk that is out from the wall.  It is painted and lit so that it looks as if it is hovering in space. Then it disappears and is flat tones on a wall. The it comes back and is pushing out towards you with power.  It was amazing to just stand there and get lost in it’s visual everythingness.

Shortly thereafter I learned of a biography written about Irwin and found it.

The book told the story of his creative art journey from the disk you see above through his work as a master within the ‘Light and Space’ movement in art.  The work in the book was incredible and I was hooked.  The book is now one of my treasured possessions because it contains the autographs of both the author and Mr. Irwin. I will return to the story of the book after showing you some of his work.

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untitled 1968

Robert Irwin – Untitled – 1968

 

irwin disk installation view

Robert Irwin – Untitled – Installation view

Here’s another example of that same mysterious, disorienting visual balancing act Irwin does between dimension and flatness, solidity and ethereality.

irwin - old post office

Robert Irwin – Old Post Office, Washington D.C.

Irwin started to move out from the gallery and put work in larger, less traditional art spaces.  These panels hang in the middle of the atrium and both stand out and disappear depending on your location and the light at the time.  

Violet running form

Robert Irwin – Violet Running Form

This is a very playful piece. It’s in a beautiful stand of Eucalyptus trees on the UC San Diego campus.  It is a blue chain link fence that starts at a height twice as high as the normal person.  Obviously it plays off the idea of utility but it also plays with the light that come into the grove and one’s perception of the color that is normally there in the trees, leaves and air.

I had the pleasure of coming across this art piece unaware when I took Caitlin to visit UCSD as a possible college location.  I had seen the photos of it many years before in the book but completely forgot that it was on campus. We just happened to walk through the Eucalyptus grove and there it was.  It really did change the beauty of the space in wonderful ways.

irwin-1°2°3°4°1997

Robert Irwin – 1°2°3°4° – 1997, San Diego, California

Robert Irwin - 1°2°3°4° - gallery view, San Diego, California

Robert Irwin – 1°2°3°4° – gallery view, San Diego, California

Irwin loves to isolate and divide while keeping something unified.  It’s his way of saying look at all of this and look at just this at the same time. I love that about his work.

irwin - whose afraid of red yellow blue - 2006

Robert Irwin – Who’s Afraid of Red Yellow Blue – 2006

Later in his career he moved into using other elements to define space and light. Here he is using solid panels that appear light and heavy at the same time. The top ones levitate but also are dangerous in their percieved weight.  Where do you stand, what do you think about walking in and around the space? The answers say more about you than the art.

 

getty gardens 1

Robert Irwin – Getty Gardens

Robert Irwin - Getty Gardens

Robert Irwin – Getty Gardens

Irwin took on a huge commission when he agreed to design the gardens surrounding the new Getty Museum in the Santa Monica Hills overlooking Los Angeles.  As you can see, he was able to use completely non-art world material and create an amazing visual space that still insists on confronting your understanding of space and light in a way that both illuminates and enriches.  

In the end, for all the intellectual and art-bound theories and philosophies I might find in Irwin’s work, in the end I am left with a true and unadulterated joy in the sensations of the world around us.  Irwin is able to present us with a visual world that makes us think and makes us smile.  How cool is that? I can think of no greater art achievement one can really hope to make.

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The Story of the Book

Ok, back to the book.  In 1976 I continued my education at University of California, Santa Barbara. While I was there I had a girlfriend for a while.  Here is a picture of her a few years later visiting my then wife and me in San Jose.

While Toni was visiting was us I showed her the book about Robert Irwin. She laughed and looked at us funny and said, “You know that Lawrence, the author, is my brother, right?”  No, I did not know that.  Yes, I knew her last name and yes I saw his last name on the cover, I just never made the connection.  So, I sent the book back with her to LA where she lived so she could hunt down her brother and get him to autograph it for me.  She sent it back to me a few months later with inscription you see below.

You may have noticed that Robert Irwin also signed it.  Here’s how that came down.  I had attended San Jose State University as a graduate student pursuing my MFA.  A year after I graduated I heard he was coming to school to give a guest lecture.  I was pretty psyched, and if possible, meet him and have him sign my book.    When the day finally arrived I had a dilemma. I was not able to go due to my work schedule at the restaurant where I worked.  But, I could go to the very beginning of the lecture and perhaps meet him beforehand if I timed it right.

I was on the second story of the student union building standing looking over the edge into the large central atrium area, waiting for him to arrive for the lecture from the Art Department.  When he came in he was surrounded by at least a dozen or more people, including the chairman of the department and many professors, including a number who had been my advisors.  I was bummed about the crowd, figuring I would not get a chance right them to meet him.  I saw them disappear under the walkway I was on to come up the stairs.

robert irwin

Robert Irwin

When they arrived at the top of the stairs they were all there except Mr. Irwin. I immediately asked the Chairman where he was and he said he had stayed downstairs to find a bathroom.  That was all I needed to hear. I rushed down the stairs and found him walking down a hallway, indeed looking for a bathroom. I introduced myself, directed him to the bathroom and went in with him.  We stood at side by side urinals taking a leak and talking. Luckily for me we both had to go really bad so it lasted a long time.  I was able to to tell him of my admiration for his work, and the book, explaining about knowing Lawrence’s sister. I told him my status as a recent MFA grad, my working 3 jobs, including 2 part time teaching gigs at community colleges.  He was incredibly gracious, especially considering we were peeing together.

Men at urinal

Photograph: Graeme Robertson for the Guardian

When we were done we continued to talk and I asked him if he would autograph the book, which he did.  He also gave me encouraging advice about  how to deal with the first few years out of graduate school, how to work through hard things and keep creating worthy art at the same time.  I then led him back up to the auditorium and to the front of the audience so he could give his lecture.  I meanwhile skeedaddled to the restaurant to work my shift.  I didn’t hear the lecture but I gained more than I had hoped!

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If you are interested in learning more about Robert Irwin, you can check out these resources. There is a huge body of work he has done that will amaze you.

Ace Gallery

Pacific Standard Time  project- Getty.org

Museum of Contemporary Art, San Diego

Robert Irwin – Light and Space – Video

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Winter 2012/2013

Winter 2011/2012

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Artists I Love – Veruschka – Winter Weekend Series

When I was a young boy, around 13 years old, I would sneak a look at my father’s Playboy Magazines.  I was no different than any other boy when it came to what excited me.  Then again I was different.  The famous 60s supermodel, Veruschka, showed me that with these photos from Playboy that I first saw when I was perhaps 16.

veruschka

Veruschka – Playboy Magazine, 1971

Seeing a naked woman in art and photography was not that big a deal to me, having grown up around the nude in artworks of all types in my grandparent’s and parent’s homes. But this was not a naked woman, this was a woman transformed into something other than herself while at the same time expressing an even greater sense of who she was. It was a revelation.

Veruschka-peacock

Veruschka as a Peacock

Veruschka Pink

Veruschka in Pink

In that and other pictorials she also became men, Marilyn Monroe, unzipped herself and transformed from animal to vegetable among other things.  No other woman transfixed my imagination as a youth like she did.  All the rest came and went, but Veruschka stayed in my mind as a woman apart.  Not a model only, not a muse only, but an artist.

veruschka_man

Verushka as a Man

Veruschka as redneck

Veruschka the Redneck

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Veruschka started out as Vera Lehndorff but was unsuccessful as a model under that name and so reinvented herself as the mysterious Russian, Veruschka. She actually was born in Prussia (Poland) before WWII and was a very tall and gawky 6’1″ by the time she was 14 years old.  She was teased and made fun of for her looks and skinny angularity. She stopped growing at 6’4″.  She, along with Twiggy and Jean Shrimpton, were the first supermodels, dominating the covers and editorials of Vogue and every other fashion magazine of the 60s and early 70s.

 

veruschka-vogue

Veruschka – Vogue Cover

Veruschka Life magazine

Veruschka – Life Magazine Cover, 1967

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One of the most amazing things about Veruschka was that she did almost all the creative work on her fashion shoots. She did her own hair and makeup, as well as have creative control over the editorial scheme of the shoots in many cases.  If you look close at her early fashion images you can see the roots of her later artwork.

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Veruschka – Early body painting work

Notice the ‘Flower Power’ body painting work from the late 60s.

Veruschka-brown

Veruschka in Brown

Veruschka-green

Veruschka in Green

Notice how she creates a visual image in which she completely blends in to her background.  It’s a life long obsession to blend into the background that you will see reach it’s apex in her artwork.

veruschka-cheetah

Cheetah and Veruschka

Early on in her modeling career she worked to incorporate herself as animal into her shoots.

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Fast forward to the 1980s and I find a book by Vera Lehndorff called ‘Veruschka | Trans-Figurations’.  It documents a 16 year collaborative art project between herself and the photographer Holgar Trulsch.  During those 16 years Veruschka painting herself to match various surroundings, from oxidized metal in abandon factories to boulders to weathered wood to the sky itself.  Finding the book was like finding a dear friend after many years and seeing the amazing things she had done with her life.  It’s one of my most treasured books because it is that perfect combination of visual beauty, conceptual brilliance, individual creative drive and surprise that I love.

Here are some examples from that book.

veruschka-moss

Veruschka in the Forest

veruschka-stone

Veruschka Among Boulders

veruschka-electricalbox

Veruschka and Electrical Box

veruschka-tree

Veruschka and Tree

veruschka-steelpillar

Veruschka and Steel Pillar

veruschka-linencloset

Veruschka and Linen Closet

veruschka-windowframe

Veruschka and Window

veruschka-sky

Veruschka and Sky

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If you are thinking you’ve seen this sort of thing done many times before, you are right.  Body painting has become a big thing over the past 2 decades in art and media culture around the world.  You can see it among celebrities, in sports and in fine art. There are whole groups dedicated to it now with annual conferences and events.  Take a look below to see some of the influence Veruschka has had.

demi-moore-joanne-gair

Demi Moore

in-the-paint_bodypaint-book

Sports Illustrated Body Paint book

gotye - emma hack

Gotye video still – Somebody That I Used To Know – Emma Hack, artist

And finally here are some contemporary fine artists at work using the technique Veruschka developed.

Desiree Palmen

Bookcase – Desiree Palmen

busstop - desiree palmen

Bus Stop – Desiree Palmen

qui-zhijie-tattoo2

Qui Zhijie – tattoo 2

If you are interested in learning more about Veruschka or the evolution of the use of the body as a canvas start in google images and just type in Veruschka body painting and you will find plenty to investigate.   Search under Qui Zhijie and Desiree Palmen to find out more about their art.

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Winter 2012/2013

Winter 2011/2012

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Artists I Love – Albrecht Durer – The Winter Weekend Series

I first got to know the work of Albrecht Durer, who was a Northern Renaissance artist, when I took an advanced seminar course on printmaking at the Boston Museum of Fine Art while I was attending Brandeis University.  I found his work harder to understand than the other two artists we studied, Rembrandt and Goya, but that didn’t make me appreciate his genius any less. And a genius he was.  Take a look at his self-portrait when he was a very young teenager.

self portrait at 13

Albrecht Durer – Self-portrait at age 13 – 1484

He was raised to be a goldsmith like his father but was such a talent that he apprenticed the largest printmaking shop in the area instead.  He traveled around Germany after that and eventually made his way to Italy where he drew some of the first pure landscapes in the history of Western Art.

Great Piece of Turf

Albrecht Durer – ‘The Great Piece of Turf’ – Watercolor, Pen & Ink – 1503

He was one of the first in Northern Europe to systematically investigate anatomy in detail, drawing hundreds of figures and diagrams to help himself understand the nature of the human body.

nude self portrait

Albrecht Durer – Nude Self Portrait – Pen & Ink – 1503-1505

Figure of a woman shown in motion

Albrecht Durer – Figure of a Woman Shown in Motion – 1528

Studies on the Proportions of the Female Body

Albrecht Durer – Studies on the Proportions of the Female Body – Woodcut – 1528

 

Adam and eve

Albrecht Durer – Adam and Eve – 1507

His greatest fame though came from his printmaking.  By his mid-2os he was famous throughout Europe for his incredible engravings and woodcuts.  The engravings are what I studied at the Museum.  They are deeply symbolic and allegorical in many cases.

Melancholia

Albrecht Durer – Melancholia – engraving – 1507

four horsemen of the apocalypse

Albrecht Durer – Four Horsemen of the Apocalypse – Woodcut – 1498

Knight, Death and the Devil

Albrecht Durer – Knight, Death and the Devil – Engraving – 1513

His detail and composition are always expert of course but it is his willingness to expose deep truths and fears of life that always grabs me the most.

Finally, if you ever look at artwork involving praying hands, such at the huge bronze sculpture of praying hands here in Tulsa, here you are seeing the foundational drawing that they all are rooted in. Probably his most famous work to the non art oriented public.  Interesting enough, it is not titled ‘Praying Hands’.

Hands of an Apostle

Albrecht Durer – Hands of an Apostle – Drawing – 1508

 

Durer is well worth investigating, not just the images but his story as well.  You can read about him at Wikipedia as a start of course.  And the images here can be found at WikiPaintings.org, a great resource.

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Winter 2012/2013

Winter 2011/2012

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