Category Archives: creativity

Reward, Punishment, Consequences

consequences

Biting Critique

Have you ever been in a critique? I went to Cranbrook Academy of Art for graduate school back in the early 80s.  I was in the printmaking department and once a week we would have critiques with the entire group (18 students).  They were brutal and if I had been illustrating what it was really like in this drawing she would not just have her hand and foot gone but her head as well.  How bad was it? I was denied admission for a second and final year because my work wasn’t good enough in my professor’s eyes.  We had moved 2,000 miles across the country for me to go to school there and a year later I was out and we had to go back to California.  I started over and eventually got my graduate degree, an MFA, from San Jose State University.  But make no mistake, I was chewed up and spit out and it wasn’t fun.

Reaping

But, in truth, it was nature at it’s best. That means it was not a punishment for me and those who stayed for the second year didn’t get a reward. We all got consequences. I reaped the consequences of artistic and personal immaturities and arrogances on my part.  I reaped the consequences of unhelpful habits on my part. I reaped the consequences of personality conflicts with a professor.  I reaped the consequences of a system that I thought then, and I think now, had some serious flaws in it.  But the totality of that experience had very little to do with rewards granted and punishments imposed in an arbitrary way.  It had everything to do with cause and effect, action and reaction, truth and consequence.  

What about you?  Do you think you deserve to be punished or rewarded for something you have done? Or can you take the more neutral, less morally condemning view, that you are merely suffering the consequences?

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Drawing by Marty Coleman, who had to find a picture of a lion eating something to get it right.

Quote by Robert G. Ingersoll, 1833-1899, American orator and political leader.  He is a forgotten gem of the golden age of American speech making.  He is well worth investigating.

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Trivia of the Day

If a saint is depicted with three balls, who is he?  

Answer will be at the next posting.

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Who Does the Artist Compete With?

Thank God I made it to day #3 of Competition Week at the NDD!
Competing with God

Knowing the Universe

The quote says God, but it doesn’t really matter if you believe in a deity or not for this to be true. The point is that the universe is awesome. It is one big amazing masterpiece.   Your job as an artist is to re-’VIEW’ the universe. You interpret it, not copy it.  You learn from it, not teach it.  You stay informed by it, not ignorant of it.

Realistic Competition

It takes courage to compete with someone you know is going to win.  Imagine being Michael Phelp’s rival over the past 8 years.  But the truth is you aren’t competing directly against universe unless you are either so ignorant of the universe that you think you are at the center of it (You’re not, by the way) or you don’t think about it at all.  But the best way to create the most fantastic art is to know your world, your universe. Pay attention to the sounds, tastes, smells, images, textures of the universe.  Then filter it all through ‘you’ and out will come unique and individual creative work.

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Drawing by Marty Coleman, who has a talking paintbrush that posed for this drawing. Her name is Penelope.

Quote by Patti Smith, who lusts after Penelope but can’t have her.

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Artists I Love – Roy Lichtenstein – Winter Weekend series

I am showing an artist today who I deeply admire.  Roy Lichtenstein, one of the preeminent pop artists in America, has a very graphic and bold style, accessing popular and art culture for many of his ideas and references.


Woman in Bath – 1963

He got his start using comics as his inspiration but I didn’t really pay much attention to him early in my career. I knew of him but he was just one of many pop artists and I wasn’t paying all that much attention to any of them while in college and graduate school (70s & 80s).


Baked Potato -1962

Baked Potato -1962

Alka Seltzer – 1966

He didn’t just do comics, that just happened to be what he got famous for.  What he did was use a very graphic, very bold comic book style no matter the subject.  As he developed as an artist he expanded into using prior art styles as his references. That is when I started to notice and enjoy his work.


lichtenstein-coast-village-1987

Coast Village – 1987

He played off the Expressionist and Fauvist styles here.  He combined his strict linear style with a much more fluid brushstroke to make it happen. It is uniquely his work even with the references.


lichtenstein-coast-village-1987

Woman with Hat

picasso-portraitofawoman

Portrait of a Woman – Pablo Picasso

lichtenstein-the-red-horseman-1974

The Red Horseman – 1974

Goncharova_cyclist

Cyclist – Natalia Goncharova

He then played off of a Cubist and Futurist themes for a while.  Yes, they obviously reference the imagery of other artists but you wouldn’t mistake it for one of theirs. It’s is pretty much instantly recognized as a Lichtenstein.

lichtenstein-artistsstudio-thedance-1974

The Artist’s Studio – The Dance – 1974

And here we see him referencing another favorite artist of mine who I highlighted a few weeks ago. Anyone know who?

What I love about Lichtenstein is he never stopped exploring what he could do with what he could do.  That sounds funny but it is true that we all have things we can do. But do we do all we can with our abilities and our sensibilities? I think Lichtenstein did and I have always been inspired by his willingness to stay true to his style and still push into new and compelling realms.


Lichtenstein-Oh-alright

Ohhh…Alright…

And to finish it off, let’s end with a painting from his classic comic book era.  Are you wondering why I chose this piece instead of a couple of his more famous ones from back them?  Here’s why.  It sold at auction in 2010 for 42.6 million dollars. Was it worth it? I say yes it was. Why do I say that? Because the person buying it is NOT buying a painting. They are buying AND possessing a seminal moment in the history of art.  They buy it, everyone that matters to them knows they bought it and they now believe they have the same value in the world as that art moment had and continues to have.  Is that true? Yes, but just like the stock market, the value of those art moments can rise and fall very fast and along with it goes their own value.  Not all that great for the ego long term but just in case you wonder why people put out the big bucks, that’s why in my opinion.

I found a nice selection of his work (and others) at WikiPainting. You can view by genre, style, media, etc.

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Winter 2012/2013

Winter 2011/2012

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Little Writers, Great Writers

It’s the final day of ‘Quotes on Quotes’ week at the NDD.  Any suggestions for next week’s topic?

Little Writers, Great Writers

All artists and writers copy.  Copying is unavoidable.  But all good and great artists and writers transform that which they copy into their own words, their own vision. The mediocre and creativity deficient are not able, or are lazy and thus unwilling, to do the hard work of creating their own work even while taking ideas from the past.

Drawing and commentary by Marty Coleman, who seems to use a lot of quotes in his work.

Quote by Havelock Ellis, 1859-1939, British physician and writer.

STOP SOPA

Stop Sopa

SOPA is a US House bill 3261 (PIPA is the senate version) calling for stronger anti-piracy accountability on the internet.  The original idea has some merits of course, many countries are rampant with piracy of movies and music that hurts American and other entertainment companies. I have no problem with them wanting to protect their intellectual and creative property, just as I want to protect mine.

The problem is that the bill is overkill. It allows corporations to shut down alleged violator’s websites without any due process or review from a neutral authority.  That can, and you can bet will, lead to the capricious and damaging use of that power.  A big multi-national corporation that just happens to not like the information and creativity on a website could easily put pressure on the host/provider, with legal backing, to close down the supposedly offensive site. Their ‘sin’ could be parody, or whistleblowing or creative sampling. Who knows. The point is that we want to protect intellectual rights. But we also want to protect creative and intellectual freedom and we can’t do that unless our laws follow guidelines that do not allow for abuse by those in power.

STOP SOPA.

Drawing and commentary by Marty Coleman

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