by Marty Coleman | May 14, 2015 | Series |
Last month I entered the Tuaca Napkin Art contest. I found out after submitting the napkin drawing that the contest had been extended another month. I took the time to think up another napkin for the contest and here it is. I used one of their sayings, “Moderation is an Art” to create the theme, which is that drinking is great fun and a wonderful social activity. But it’s great and fun in moderation, not in overdoing it.
Here is my first submission
I will let you know if I win or not!
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by Marty Coleman | May 12, 2015 | Brene Brown, Shame - 2015 |
Purchase the original | Purchase a print
Periscoping Sara
I Periscoped with a TV Newsperson the other day (see the end of the post for an explanation of Periscope).
She was in a cab after a long day of work and play. Her name is Sara Haines and she is a Lifestyle and Pop News Anchor for Good Morning America on ABC. It’s a good fit for her because she is chirpy, funny and a energized ball of laughs and smiles. She had been Periscoping during commercials and then later at a party. But now she was done for the day and on her way home.
Understanding Kim
I and others were watching her now in a more relaxed, contemplative mood, reflecting on things based on questions we were asking. Someone asked her if she liked the Kardashians. The person asking may have been expecting a typical, ‘I hate them, they are terrible’ type of response, I don’t know. But that is not what they got. Sara said she is intrigued and fascinated by them, especially Kim Kardashian. She said she tries to imagine what she would do if she was raised like her, looked like her, lived her life, had her money. What choices would she make and how different would they be from the choices Kim does makes? In other words, she doesn’t judge or shame Kim, she empathizes with her. And that means she can simply enjoy her for who she is and try to understand her.
Empathy Covers Shame
So far the 21st century is the century of public shaming and judgment. But what Sara shows in her attitude is that happiness and joy comes from empathy and understanding of others, not judgment and shaming. It’s a lesson we all need to learn again and again, that when we are tempted to judge, especially in the public arena when we truly don’t know the person, it’s best to step back and try to empathize, to understand what it is they are feeling and reacting to in life. That is when we will grow and learn.
Hope for Humanity
I like Sara from what I seen of her on TV, but she went to the top of my ‘I have hope for humanity’ list when I was able to hear her talk about her way of seeing the world and the people in it. She’s also now at the top of my ‘What TV person would you most want to have lunch with’ list. I think the conversation would be fantastic.
I have written a second blog post about Sara and Kim. You can find it here: Sara Haines, Kim Kardashian and the Power of Love
Here are my other posts on shame –
Headline Walking – Shame #1
Parenting in Anger – Shame #2
Periscope – Periscope is a live video broadcast with texting interaction app from Twitter. It’s available on the iOS and will be available on Android soon.
Drawing and commentary © 2015 Marty Coleman
Quote by Brene Brown, 1965 – not dead yet, American writer and scholar
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by Marty Coleman | May 10, 2015 | Family History, Mothers Day |
I loved my mom. She was wonderful and flawed at the same time, like most moms. I’ve written posts about her in years past and will put the link at the bottom of this post for you to read if you would like.
But today I am also thinking about my other mothers. They were the women who also helped raise me. They didn’t help raise me in the ‘I went to live with them’ sense. They helped raise me in the ‘they took time to love me and nurture me’ sense.
Aunt Betty (left) and my Mom, Lee Coleman
Aunt Betty
Aunt Betty wasn’t my aunt. And her husband, Uncle Frank, wasn’t my uncle. I didn’t realize this until I was probably 10 years old or so. That’s when I figured out we called them that because they were as close as relatives to us, not actual relatives. What they actually were were my God Parents.
But in real life Aunt Betty was my mother’s best friend while we lived in California. They were the Lucy and Ethel combo, funny by themselves but hilarious when together. From the time of my birth until we moved away when I was 12 Betty treated us (my older sister and I) like her own kids, and my mom treated her kids as her own as well. That included watching over us, keeping us in line and feeding us among other things. It included letting us have complete freedom within their house. Their house, high overlooking the Del Mar racetrack and airport was, and still is, the best, most fantastic house I’ve ever ‘lived’ in. It was definitely the golden age of free range parenting and we ranged wide and free around both homes. I wouldn’t change a thing about my young life and she’s a big reason why.
Libby
When we lived in Maryland briefly during my first few years we had a housekeeper come in once in a while. I don’t remember Libby from those years. Years later we had moved back to California and when my mother had a late pregnancy and my younger sister was born Libby, who had also moved to California, actually came to live with us for many weeks to help out. While my mother took care of Jackie, Libby took care of the house and my sister and me.
We had a nice house but it wasn’t big enough for Libby to have her own room. My room was actually a big playroom downstairs, big enough that Libby became my roommate for those weeks. It was totally awesome.
What I remember about Libby really is pretty fuzzy but I remember how much she loved me. I also remember how she silently championed me, the younger underdog, in my battles with my older sister. She loved Nancy as well and didn’t take sides, but she was always letting me know that it wouldn’t always be that she could beat me up, or it wouldn’t always be that she would be the boss of me. I held on to those promises for dear life during those years.
One of the most profound and devastating moments of my life, the first real eye opener into the wider world I ever got, was the day we went to Libby’s house. I had never seen it and I just assumed, as most kids would, that she probably lived in a house like ours. I was wrong. I remember driving up and seeing what in my mind was a completely dilapidated shack. Worn wood, crooked steps, mud. I really truly was shocked. I remember thinking we needed desperately to bring Libby back to live with us, that we just couldn’t let her live in that type of place. I had no idea about poverty or race or inequality until that moment. I was 9 years old.
Libby taught me so much but most of all she told me that no matter the issues of race, poverty or inequality, you still could be loving, supportive and happy. I also always remembered how she gave me a hope for the future. Of course, in my case, my hope for the future as simply to be able to wrestle my big sister to the ground, but she knew that and gave me the hope that was appropriate for who I was. That was a big gift.
Helene
Helene was another friend of my mothers. She had met my mother in line at a grocery store decades before in Maryland when we had lived there for a brief time. We moved to Connecticut when I was 12 and we moved to the same town she lived in by then, Darien, Connecticut. Helene was not a typical Darienite. She was bawdy and irreverent and funny. She had a witheringly sharp tongue for pretension and snobbishness that could rear it’s ugly head too often in Darien. My mother was the same way.
What made her an important ‘other’ mother to me, and what really set her apart was her creativity and her desire, no – her demand, that one pay attention to creativity in their own life. It was a godsend for me as an artistic teenager to have someone like that pay attention to me.
Floyd and Helene Hall (left) and my parents.
Her home was a reflection of all that as well. It was messy and cluttered in the best artistic way. She had sculptures here and photos there. A painting leaning against a wall, a clay head in the inca style being worked on in her studio. Trinkets and books and everything else inhabiting that space just screamed art, creativity and freedom.
She challenged me as an artist. I remember taking a trip to New York City with her to go to a Picasso Sculpture Exhibition at the Museum of Modern Art. When I told her the pieces looked like anyone could do them she said one of the single most important and profound things any one has ever said to me about being an artist. She said, “It Doesn’t matter if you CAN do it. It matters if you DO do it.” It took me years to figure out what that meant, but when I did it clarified so much about art that it really broke me through to art maturity in my mind.
She also was witness to my family falling apart. She saw my mother descend into alcoholism and she was the first person I called when I found my mother unconscious on the stairs, suffering from what we would later find out was a cerebral hemorrhage. It was not an easy time and she was there to help out.
Ginny Moore
My best friend during my teenage years was a guy named Jim Moore. I can thank his mother for our becoming friends. She saw that we had moved in down the street and within a day or two she kicked Jim out of the house and told him to go down the street to meet the new kid and not go come back until he had. So he did and we became pretty fast friends from then on.
Ginny gladly welcomed me in to her home, always making me feel welcomed and loved. They took me on vacations (and we took Jim on some as well). They suffered through me being the rabble rousing teen that I was, including several instances where I broke, ruined, wrecked or otherwise caused mayhem to descend onto various possessions of theirs.
I was sort of the Eddie Haskell (A 60s TV show, ‘Leave it to Beaver’ reference for those not old enough to know) to the Moore Family. Nice but always tending to get Jim and myself into some sort of adventure. It wasn’t all me of course. Jim was pretty good at finding adventure himself. What Ginny saw was the importance of our friendship and bond and allowed all the wild things to transpire as part of that bonding. I am grateful for that!
The Moore Family (Ginny, bottom right)
When I moved away after my senior year of high school but wanted to come back and live in Darien the next summer, they graciously allowed me to stay the entire summer in their house. It didn’t occur to me until much later what a incredible gift that was.
Vivian Johnson
I’ve written often over the years about the incredible man, Dwight Johnson, who was the father of my first wife, Kathy. I don’t talk as often about her mother, Vivian, but she was incredibly important in helping me move into adulthood and being a husband and parent.
Vivian and Rebekah
We had a good relationship, one that included a lot of patience on her part, watching this young ‘bad boy’ marry her daughter after only about 9 months of dating. We were a lot alike in many ways. We were the two most competitive people in the family, often going head to head in legendary Scrabble battles at the family cabin. She was feisty but also very focused on being positive and nice. She could say sharp things but chose not to most of the time. She gritted her teeth and smiled when she probably wanted to hit me, or at least yell at me.
She was supportive, kind and understanding as she watched her daughter and I build a life for our family, slowly and with a number of missteps on my part. She didn’t always like me but she always encouraged and supported me in spite of that. That taught me a good lesson about what it means to be a parent and parent-in-law.
It Takes a Village
None of us were raised in a vacuum. I am so grateful for all the women I mentioned above (and others I didn’t mention) who made up my village of nurturers, caretakers, friends, and visionaries. They helped me so much, I could never repay it so all I (or any of us) can really do is pay it forward as best I can.
Who are your ‘other mothers’ and how did they help you?
Here is the link to a remembrance I did about my mother a few years back.
© 2015 Marty Coleman
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by Marty Coleman | May 8, 2015 | The Napkin's Guide to Happy Living |
Here I have two quotes that both start with the same part of a sentence. They then go in completely different directions.
And so I have a challenge for you!
- Challenge question: Which quote is the original quote, #1 or #2?
- “Most folks are about as happy as they make up their minds to be”
- “Most folks are about as happy as they can fake.”
- Bonus question: Who said the original quote? And yes, it’s the honor system for you to not look it up.
- Personal question: Which one do you think is more accurate and why?
Let me know your answers in the comments!
Drawing and questions © 2015 Marty Coleman
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by Marty Coleman | May 7, 2015 | Series |
Here are two drawings I did back in 2011 for a series on Mother’s Day. I especially like the color and simplicity of the first one.
Original Post – April 18th, 2011
Original Post – April 20th, 2011
Drawings © 2015 Marty Coleman
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by Marty Coleman | May 6, 2015 | Breasts - 2012-2013 |
Censorship and Humor
A friend of mine, Heather, who I used to coach and who is now a running coach herself, posted a pretty funny cartoon yesterday on Facebook. It was of a woman in a Zumba class realizing too late that she should have worn a better sports bra. I didn’t see the original cartoon I just saw the post Heather made explaining how one of her ‘friends’ on FB had reported it as offensive and it had been removed.
She was livid, as I would have been, and as all her true friends on FB were. The comments and other cartoons that were posted on that thread were hilarious. It reminded me of a drawing I did long ago in a random sketchbook so I went and found it. I had never scanned it or posted it because it had all sorts of other random sketches all around it and even overlapping it. But I decided if ever there was a time to scan it and work on it, today would be the day. So, here you go Heather, my homage to you and your great sense of humor!
But Seriously Folks…
Having run now for about 15 years and having coached runners for about 5 I can’t tell how many times I have wanted to suggest to a runner they might want to get a new, better sports bra. I obviously don’t know the physical discomfort and pain associated with running with a pair of breasts bouncing on my chest but I don’t need to feel it to know it’s got to hurt!
Since I don’t feel comfortable saying that to a woman I don’t know really well, I instead will do two things. One, while I talk about running gear in one of the clinics I lead I will make a general announcement to the entire group about the importance of getting fitted for a good bra. And two, I ask my female coaches to be extra alert to their female participants who they think need a better bra. I want them to talk to them about it and offer help in finding one. Now, if the person in question is a good friend of mine? I have no problem saying, “uh…you’re going to give yourself a black eye with those things, you need to get a better bra!”
Is This You?
Just in case you don’t think you are in this category of needing a better sports bra check out this excerpt from the online article ‘How to find the perfect Sports Bra’ from Fitness Magazine.
When we polled top bra-fitting pros for the number-one mistake women make in choosing a sports bra, they were unanimous: wearing a smaller cup and larger band than you need. Sure enough, nearly every tester whom FITNESS sent to the specialty shops Intimacy and Linda’s Bra Salon in New York City for fittings returned with a two-inch-smaller band and a larger cup size — As and double Ds alike.
Pretty amazing, right? Here is the rest of the article. You can simply google ‘sports bra fitting’ to find a slew of other articles about it.
Where I work, at Fleet Feet in Tulsa, we have dedicated apparel and bra fitting specialists and that makes it very easy for women to conveniently find the bra they need. Obviously most of you are not in Tulsa but Fleet Feet stores are around the country and if one is not close by there is a running or specialty store that can help you, you just have to look it up.
Back to Funny
Here is the original cartoon Heather posted. It’s by Fernz Cartoons.
And here is one that was posted on the thread.
If you have other cartoons or funny stories about sports bra disasters, send them along, the Napkin Kin would love to see and read them!
Original drawing and commentary by Marty Coleman
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by Marty Coleman | May 5, 2015 | Dorothy Parker, Mother's Day - 2011 |
Letting Go, Staying Gone
Moms have a hard time letting go, don’t they. Some fathers do as well of course, but I don’t think it’s inaccurate to say that mothers have a harder time of it overall. But I can tell you this as a father. While it wasn’t hard to let them go off to college or adventures thousands of miles away, it is really hard to have them stay gone as the years roll on.
Add in a couple of grandkids who are far away and it makes it even harder. Granted I am talking from just one perspective but I don’t think that’s gender specific, I think it’s hard for both parents at that point.
Coming Home
Kids leave home all the time and no matter how hard a mother or father tries to get them to stay close, the truth is, if they really want and need to go, you want them to go. You want them to find their dreams even if it means that dream takes them away from you.
And here is the other truth. If you did make your home atmosphere pleasant, if it was filled with love, care, nurturing and freedom, then you child will want to come home. Maybe it won’t be a permanent return, but it will be a joyful and loving return nonetheless.
It’s the nature of kids to want to spread their wings. All you can do as a mother or father is give them a safe landing place when they return.
Drawing and commentary @ 2015 by Marty Coleman
Quote by Dorothy Parker, 1893-1967, American writer and wit
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by Marty Coleman | May 1, 2015 | #TBT - Throw Back Thursday |
A number of years ago I would reserve Saturdays for posting a ‘vintage’ napkin from back when I was drawing them for my daughters and putting them in their school lunches. I did that for a number of years but eventually started putting up other content on the weekends; stories, photos, etc.
Throw Back Thursday (Friday Edition)
Now Throw Back Thursday is a thing and I thought I would start posting some older drawings or other things from years past on Thursdays. Of course I came up with this idea today, a Friday. But I looked back and found these photos from 6 years ago yesterday (a Thursday) and decided I would post it anyway.
Absorbent Ideas Exhibition
Double Shot Coffee, Tulsa, OK
I had an article in the Tulsa World published about the Napkins in early 2009. The owner of Doubleshot, who knew of me because my daughter Chelsea had at one point worked there, had read the article and invited me to have a show of the napkins.
Absorbent Ideas Exhibition
The show opened on April 29th, 2009, with the reception being a few weeks later in May.
Postcard Invitation
You can see the progression in my napkin drawings by taking a look at the drawing on the postcard and the framed one below.
I look back and realize how long it’s been since I’ve had an actual exhibition of the napkins and how different they are now.
I think it’s time for a new exhibition, don’t you?
© 2015 Marty Coleman
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by Marty Coleman | Apr 29, 2015 | Ego - 2015 |
The Napkin made a mistake. Really.
Yep, really. I started out with a quote I was going to illustrate this morning. I started my drawing, meaning to stop at some point so I could add the quote into the drawing. But I forgot and before I knew it the drawing was too filled up for me to get the quote in.
But my mistake is to your benefit. Because you get a quiz out of it and here it is. Put your answer in a comment. And if you want, include a quote you think belongs with this drawing.
-
Which quote was I going to write on this napkin?
- The mind’s first step to self-awareness must be through the body – George A. Sheehan
- I don’t at all like knowing what people say of me behind my back. It makes me far too conceited – Oscar Wilde
- The problem with introspection is that it has no end – Philip K. Dick
- Contemplation often makes life miserable. We should act more, think less, and stop watching ourselves live – Nicolas Chamfort
Put your answer in a comment and if you want, include a better quote you think belongs with this drawing.
I will share the answer when I post my next drawing.
Drawing and quiz by Marty Coleman
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by Marty Coleman | Apr 28, 2015 | Illustrated Short Stories |
Chapter One
Emily took the mirror out of her purse. She was looking for blood splatter but noticed her hair instead. She didn’t like how her hair looked when it blew in the wind. Instead of looking full like she wanted, it looked straggly and thin. She couldn’t decide if it was due to the hair cut she got, which she hated, or the product she had been persuaded to buy at the salon. Whatever the reason, she didn’t like it and wanted to get back in the car as soon as possible. This wasn’t just due to her hair looking shitty, but because of the body in the middle of the road. Emily knew the road was seldom travelled but she didn’t want to take chances just in case one of those survivalist nut cases up in the backwoods came down in a tank or something.
Chapter Two
Emily reapplied her lipstick as she drove down the mountain. She got out her mascara and added a bit to her upper lashes when she got to the one and only stop light in town. She even got a bit of blush to each cheek before the light turned green. She was hungry and Chicken King was right at the corner. She liked Chicken King because the chicken fingers were easy to eat and the straws were just the right diameter. She was particular about these things knowing that it all contributed to her looking as good as she did. People thought it was just her lucky genetics and that pissed her off. She worked hard and sacrificed to look this good. She wished people realized that.
She ate as she drove down the coastline. She wondered how long it would be until the body was found. She wondered if wild animals would find it and drag it off the road. Wouldn’t that be convenient she thought. She noticed the moon was red and thought that was very strange.
After about 3 hours of driving she stopped for gas. She put on a pair of those cheap rubber gloves that come in a box before touching the gas hose since the worst thing in the world was to be able to smell gas on her fingers after she got back in the car. She went into the convenience store to go to the bathroom but the toilet was covered in pee and she couldn’t do it. She would just have to wait. She got a pack of gum and told the teenage clerk he should have been checking the toilets more often because one had urine all over it. He looked at her blankly and said, “Someone else does that, I just take money.”
Emily got back in the car and drove away. She was upset about that encounter, realizing that it was an example of the younger generation having no initiative to make something of themselves. What had gone wrong with America anyway, she thought as she searched for another gas station.
Chapter Three
She stopped at two more places along the way looking to pee. Both were unacceptable. One had a cracked toilet seat and she just knew it would pinch her flesh if she sat on it. As she walked towards the door she looked at the clerk, a young Mexican woman with dark blush on her cheeks and high arched eyebrows painted on, and said under her breath, “No wonder this place is in disrepair. You people are lazy.” The clerk didn’t hear what she said but did notice Emily’s red lipstick and thought it was too bold considering how dark her eyeliner was. When Emily got back in the car she looked in the rear view mirror and put a fresh coat of lipstick on. She was happy she had some style compared to that ugly clerk. “How could people want to look like that?” she whispered to herself.
The second store only had a unisex bathroom. A man emerged from it right as Emily walked up. Emily hated the idea of sitting down on the same toilet a strange man had peed in, especially as fat and ugly as that man was. She immediately turned around and stomped out. She slapped her hand on counter as she left and said to the clerk, “What the fuck is wrong with you people?” The clerk, a Korean boy about 13, didn’t understand english and had no idea what she said, only that she was mad about something. His mother was in the back room and didn’t hear anything.
She almost cried when she got back in the car after the third try because she really had to pee. But she looked in the rear view mirror, smoothed out an errant eyelash and said to herself, “I have my standards and lowering standards contributes to the downfall of society.” She had memorized that line from her “Planning For Success’ CD and repeated it to herself often. She also didn’t cry because it would have smeared her eyeliner, which had taken a long time to put on that morning.
Chapter Four
By this time her bladder was close to bursting. She was glad she hadn’t compromised her standards but she also was getting desperate. The next place had better be acceptable or she wasn’t sure what she would do. She wasn’t holding out much hope when she walked in and saw that the clerk was a black woman. She had a big pile of what looked like black, brown and tan snake coils on top of her head. She had on a very low cut top that showed overflowing breasts. Emily wondered how someone could show that much breast and not show her nipples. “No wonder they all get pregnant so early”, she muttered to her self.
While it wasn’t pretty inside the bathroom, and that annoyed her, it was clean. She was comfortable enough to sit all the way down on the toilet and go. She felt so relieved that she actually said out loud to herself, “Now I can die happy.”
She left the bathroom and walked back into the store. As she did she noticed a young boy, maybe a teenager, standing at the counter. He was in a tan, button down shirt, khaki pants and loafers. His hair was cut in a contemporary but still traditional look. He was standing up very straight and looking straight ahead. She thought some mother was proud of that boy, he looked like he was going to do great things in life.
She smiled as walked towards him, coughing in hopes of getting his attention. Right as she did this he raised his right hand and pointed a gun at the clerk. But he heard Emily cough at that same moment and, without thinking, turned his gun toward her and pulled the trigger. Emily had enough time to widen her eyes and drop her jaw in disbelief. The bullet went straight into her open mouth, hit the back of her throat and cut right through her brain stem as it exited. Emily’s brain was able to think one final thought before she died. “My lipstick…”
The store clerk, named Edna, ran to the back of the store when the shot was fired. The boy ran after her. He tripped and fell hard on a slick patch of wet concrete on the loading dock. Edna, hiding behind the dumpster right next to where he fell grabbed a piece of wood from a pile of broken pallets and hit him on the head as hard as she could. She didn’t realize the piece of wood had a big nail sticking out of it. The nail caught the boy in the eye and he screamed in pain as she kicked the gun out of his hand.
Epilogue
Edna was a local hero. She was given a civilian service award by the sheriff and that made her consider studying law. She eventually earned her law degree and spent many decades representing immigrants before she retired and moved closer to her grandkids.
The boy went to prison as a juvenile, where his nickname was ‘Cyclops’. He got out when he turned 25 and moved to Alabama. Ironically he ended up being a clerk in a convenience store until his death in a car wreck at age 30.
The woman Emily murdered was found on the road where she died. Her name was Shannon and she was remembered by many in her town as a wonderful wife and mother and a dedicated volunteer at the psychiatric hospital. Her murder was never solved. Her husband of 12 years eventually remarried and moved away to Arkansas with his new bride and his 3 kids. They had a daughter together and named her Shannon.
Emily’s body stayed in the local county morgue for a month. No one claimed it and they were unable to find any relatives. She was cremated and her ashes were stored in the morgue. The cardboard box they were in was put in a supply closet during a building expansion 3 years later. During some jack hammering in the parking lot next door the box fell onto the floor and broke open. When the custodian saw the mess he swept the ashes towards the drain in the floor and washed them down. The cardboard box was thrown away.
The End
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by Marty Coleman | Apr 27, 2015 | Ego - 2015 |
Examples Please
How about a racist? She feels exalted by virtue of her inclusion in a certain race. Other races aren’t as good as her race, as proven by ‘history’. How does she sustain this belief? By ignoring the ten thousand truths that prove the ‘history’ (and thus the belief) is incomplete and wrong.
And a Sexist? He feels exalted by his status as the ‘stronger’ sex. He is bigger, faster, stronger, smarter than a woman. In addition, his religion and his tradition says it’s so. How does he sustain this belief? By ignoring the ten thousand truths that prove his religion and tradition are incomplete and wrong.
Why Yoga?
Then why do I have a person practicing Yoga in the drawing instead of a drawing of a racist or sexist?
Good question. What’s your answer?
© 2015 Marty Coleman
Quote by Alexander Pushkin, 1799-1837, Russian author and poet
“The illusion that exalts us is dearer to us than ten thousand truths”
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by Marty Coleman | Apr 23, 2015 | Ego - 2015 |
Sometimes I Talk Too Much – A Quirky Quiz
I had a fancy schmancy quiz all figured out but it was the first time using the app and it conflicts with some ghost in the machine and was making the entire post invisible (told you it was a ghost issue).
So here’s the quiz in just plain text until I figure it out. Give your answers in the comments section, ok?
1. Match the ‘Sometimes’ with the ‘I Should Have’.
- Sometimes it’s because the other person doesn’t have time to talk and I don’t realize it.
- Sometimes it’s because I think who I am talking to wants me to keep talking but they actually want to say something.
- Sometimes it’s because I am so excited about the topic I don’t get the message that those I am talking to aren’t.
- Sometimes it’s because I’ve told the story or given the coaching lecture to the same people before and don’t realize it.
- Sometimes it’s because I want something resolved RIGHT NOW but the other person isn’t ready to have it resolved yet.
- Sometimes it’s because I am just full of myself.
a. I should have seen their eyes glaze over.
b. I should have seen them looking at their watch or phone a number of times.
c. I should have seen them give a big sigh.
d. I should have heard them talking among themselves.
e. I should have seen them try to get a word in edgewise.
f. I Should have done all of the above.
2. Match the word on the left with its language on the right.
- IGAV
- RAZ
- CHAT
- PAGBUBUTAS
- KEDELIG
- TRÅKIG
- LANGWEILIG
- скучный
- TYLSÄ
- NUDNÝ
- WOTOPETSA
- ZERIKARLI
|
a. Czech
b. Estonian
c. Finnish
d. German
e. Nyanja
f. Uzbek
g. Haitian
h. Swedish
i. Russian
j. Galician
k. Tagalog
l. Danish |
3. All these words have the same meaning in English. What is it?
Drawing and quiz © 2015 Marty Coleman
Quote by Anonymous
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by Marty Coleman | Apr 20, 2015 | Illustrated Short Stories |
Plain Jane and Wild Willy
Jane was eating lunch in the little bookshop bistro on Main Street. She sat reserved and composed, her hair pulled back with a nondescript band into a well mannered ponytail. She ate her soup silently, not moving her body much and never looking up. She didn’t look sad, just self-contained. Her clothing was baggy, not revealing too much of her figure and the colors were muted.
As she finished her meal a big, loud, wildly dressed man came in the bistro. He had on leather pants, fur vest, denim shirt, silver bolo tie, gold earrings, bright orange and purple cowboy boots and a big black cowboy hat. He had a big beard, his hair, part black part purple, was in a braid and he had 3 big rings on his left hand. He walked over to the woman eating her soup leaned over her and gave her a big kiss on the mouth.
She smiled and said, “Are you done shopping now?”
He said, “Yep, and you’ll be proud, I only got 3 shirts, 2 pairs of pants and one hat. Oh, and I got a new pan and some dishtowels and a plant and a new trashcan for the kitchen. But that’s all I got!”
She laughed and said, “Ok, I’m done. Let’s go.”
He scowled, “what a second, I want to find that cookbook I read about online.” He walked towards the back of the store.
She turned her head and saw me watching their interaction. She smile, rolled her eyes and said to me, “Whatchya gonna do, right? He wants what he wants and if he’s happy then our house is happy.”
He came back quickly with two books and exclaimed, “Look, I found the recipe book but also that book, ‘How to Organize Your Life and Closet’ I’ve been wanting.”
Jane got up, went up to the register and paid for the lunch and books. She said, “Ok, Willy, now we have to go home. The playoffs are on in 2 hours and I need a nap before that.” She went out the door, holding it for Willy.
She smiled and waved to me as the door closed.
The End
Drawing and story © 2015 Marty Coleman
Here’s the drawing after it was colored but before I shaded it.
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by Marty Coleman | Apr 15, 2015 | The Napkin's Guide to Happy Living |
Intention vs Reality
I had a completely different quote in mind this morning when I went into my studio to draw. But I saw a scary looking eye in the napkin pattern and drew the eye. That led to a fish, which led to a number of other fish, which led to them looking like they were about to attack something or someone which led to a woman on a beach covered in wounds and scars.
I didn’t intend it, much like the many things we say and do that hurt people. There is a scene in this past year’s Oscar winner for best picture, Birdman, that illustrates this perfectly. The main character is freaking out about the possibility of being humiliated by the press and the public if the play he is directing and acting in (as well as having written) turns out to suck. He asks another character, a woman he is sleeping with, “Aren’t you worried about being humiliated?” She says in response, “It won’t be the first time I’ve been humiliated.” He says, “Of course it won’t be.”
She stares at him and says, “You’re an asshole.” She walks out and he is left completely baffled, having no idea why she said that or why she is mad.
He is baffled because he had no intention to hurt her feelings. But her feelings were hurt nonetheless. It was an imagined hurt that led to a real wound. He later realizes that what he said hurt her feelings and apologizes to her. He doesn’t apologize because he intended to hurt her and he is now sorry. He apologizes because he realizes it doesn’t matter if he intended to hurt her. What matters is the effect of his words hurt her.
Dangers all Around
There are dangers in life, real scary dangers. Some we can see coming, like the severe weather we have here in Oklahoma. Some we don’t ever see coming, like an earthquake in California. And some we understand as part of the risk of everyday life, like driving a huge hunk of metal down a road, flying in a giant tube in the sky, or being in a relationship with another human. Those are real and wounds from them going wrong can be real wounds.
There is enough danger in reality, no help comes from adding imagined danger to the things that wound you.
This and all other napkins are for sale as originals or as prints. Coming soon The Napkin will be a secure ecommerce site and you will be able to buy direct. In the meanwhile, please email me at marty@napkindad.com to inquire.
Quote, drawing and commentary by Marty Coleman © 2015
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by Marty Coleman | Apr 13, 2015 | Fitness & Health |
Running and Coaching
As pretty much all the Napkin Kin know, I am a runner and a coach of runners. It’s actually my part-time paid job. I coordinate the 10k and 15k training program called Pathways for Fleet Feet, a specialty running and fitness store here in Tulsa. I’ve been doing it for 5 years now. We have 4 sessions a year, ranging from 8 to 12 weeks. We have had up to 170 participants split between 3 locations. They run 3 days a week with another run or cross training they do on their own. I typically run with them 5 days a week between the two main locations.
Pathways, fall 2014
To coach all these runners I have over 20 volunteer coaches under me. All the coaches have been participants in a Fleet Feet program, most of them having gone through Pathways at least once. We are a tight knit group, many having ran and coached for 3-4 years with me. They not only coach but they also train for their own races, usually 1/2 or full marathons. They are incredibly supportive and encouraging to those they coach, and they are the same for each other. I think many of them would say their best friends are now those they run with.
This past week we had one of those coaches, Crystal Gee, go down. This wasn’t down by twisting an ankle or getting overheated. This was down by something far more severe. We had just finished our final training run for our goal race, which was to occur two days hence. A final training run is a very easy, casual affair. We don’t run long (it was only 2.5 miles) and we don’t run hard. We are doing what is called a taper, easing out of the heavy training so our legs and bodies will be fresh for the race. It’s also a celebratory moment for everyone. We have finished the training and we are ready! The air is filled with excitement, nerves, relief, last minute details about the race and much encouragement from the coaches and fellow runners.
Crystal and Angelika
Crystal helps lead a group with another coach, Angelika. It had been a great final run and Crystal was in fine spirits. She hung around the store for a bit after the run with the rest of us but soon had to leave to pick up her daughter. She said goodbye to Angelika and walked to her car. Moments later Angelika got a call from Crystal. She was in her car, still in the parking lot. She told Angelika she felt really bad and something was very wrong. She asked her to come help her. Angelika went to her car, no more than two rows away, and found her slumped over towards the passenger seat. She was in pain, saying her head felt like someone was squeezing it terribly. Angelika pulled her back toward her to see what was the matter. Crystal tried to get up and out of the car, Angelika trying to keep her in her seat, telling her not to get up. Angelika asked if she wanted her to call 911 and Crystal said yes. That’s the last she said. As Angelika called, Crystal slumped towards the open door and basically slid out of the car onto the asphalt. Angelika was able to help as she slid out so she didn’t fall and hurt herself further.
Crystal and Angelika
Meanwhile I was among the usual crowd at the front of the store after the run. I looked over when I saw a small fire EMT truck show up out in the parking lot. I went over to see what was going on and found Angelika kneeling over Crystal. Crystal was on her side and was rhythmically moaning with pain. She was drenched in sweat which initially made some think she was suffering from some sort of heat exhaustion. It was pretty obvious though that this was more than that. What, we didn’t know.
Crystal could not have asked for a better co-coach to come to her aid, not just because of the friendship, but because Angelika is a nurse. She was in command of the scene. She made sure her breathing was not obstructed (she had thrown up a few moments earlier). When the paramedics arrived Angelika gave them all the important information, heart rate, blood pressure, etc.
Fellow Coaches
The paramedics took over with her still assisting while others started to work on contacting her husband. It wasn’t easy since her phone was locked and we couldn’t talk to her. We got the emergency information from the store records and another coach, Caddie, tried to call but there was no answer.
We went through her purse and wallet looking for other phone numbers. Another coach, Susan, found some and tried to call them but to no avail. One of the other coaches, David, had been friends with Crystal for over 10 years and figured out the best thing to do was to start Facebook messaging some of their mutual friends to get the message to her husband, mother, brother, etc. Communication started flowing at that point.
David and Crystal
Angelika, David and I went to St. Francis hospital, which was right across the street. Angelika actually works at St. Francis so after Crystal’s best friend Natalie arrived the two of them went back to see her. David and I waited for the family to arrive and when they did we told them what had happened.
At this point it was pretty obvious she suffered a brain trauma of some sort. Maybe an aneurysm, maybe a stroke, we didn’t know. but we did know that Crystal was in for the new race, the race of her life to beat this and recover. David and I left after the family arrived. Angelika stayed a while longer helping out in the ER.
Why Are We Here?
Two days later two things happened. Pathways had our goal race, the Aquarium Run 10k, and Crystal had brain surgery. They couldn’t find the source of the bleeding the first night but the next day they found it and went in to repair it. It turns out it was a stroke from an aneurysm.
At races we usually gather for a big group picture. I used the opportunity to ask a question of the group I have asked during training over the years, ‘Why are we here?’ My answer that morning, as we dedicated our run to Crystal, was ‘because we can’. We sometimes take it for granted but knowing Crystal’s situation drove home the truth that we never should. We never know, do we.
Pathways ran the race strong and victoriously, hoping that Crystal would feel our love and strength as she ran her own, far more dangerous race. Many of us wore ‘Running4Crystal’ bibs on our backs in addition to the usual race bib.
Marty’s extra race bib
The next day my wife, Linda, and I went to the hospital to deliver a card that the Pathways and Fleet Feet family had signed. On the way there I thought of another reason ‘why we are here’. We run so we are in shape, so we are fit. That may seem obvious but you then have to ask why do we want to be fit? It’s not only so we are healthy in our day to day life. It’s so we are healthy in times of trauma. Crystal has the race of her life ahead of her. The fact that her heart, muscles, lungs, bones and even her brain, are strong and healthy from running, will no doubt help immeasurably in her winning this race. I told this to her family in the hopes of encouraging them as they run the race alongside her.
Crystal’s New Race
As of today (Monday April 13th, 2015) Crystal is resting comfortably after having successful surgery Saturday. She is going to be weaned from the respirator and brought out of sedation so she can start her road to recovery. We believe things worked in her favor so far. She was able to call Angelika before she started to drive off. Angelika is an incredibly competent and sharp nurse, she knew what was happening and got her help immediately. The hospital was literally right across the street and she was in expert hands within minutes. The start of Crystal’s new race was harsh but filled with good timing and good people.
We have every expectation that she will run the rest of this new race she has in front of her victoriously. We will be cheering her on.
Helping
If you would like to keep up with her progress you can subscribe to her CaringBridge site.
If you would like to donate to help offset expenses you can help at her gofundme.com site.
On Saturday April 18th from 11am-3pm there will be a silent auction at Charlie Mitchell’s Restaurant at 51st and Yale. 100% of the proceeds will go to help offset her recovery costs. 10% of the lunch proceeds that day will also be given.
On Saturday April 25th from 9-11am there will be a pancake breakfast fundraiser put on by OKChive at Applebee’s in Broken Arrow (101st location)
Update Friday, April 17th: She’s off the breathing tube and the sedation. She is talking and walking and eating! She is very weak though and is spending most of her time resting and sleeping.
© 2015 Marty Coleman
p.s. I wrote about Angelika before, in a blog post from 2013 – Angelika and the Painful Procedure – A photo/art essay
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by Marty Coleman | Apr 9, 2015 | Series |
Nina and Tuaca
Last year my friend and fellow napkin artist, Nina Levy, submitted and won the annual Tuaca Napkin Contest (Tuaca is a liqueur). She couldn’t submit again this year so she encouraged me to enter and I came up with this napkin as my entry. Here is her winning entry from last year.
Why Lions
I included lions because the research I did showed the lion was integral to the Tuaca company heritage as an icon and a brand identifier. Other than that addition I pretty much drew a nice moment to enjoy a cool drink on the rocks.
Sharing and Winning
It will be up online at the Tuaca Napkin Gallery as soon as they see it doesn’t break their rules (I can’t show a drunk human or lion for example) and/or not perverse in some way. I hope you will go there and share my napkin on your social media platforms. While there isn’t a formal voting element to the contest I would hope a lot of shares might indicate to the judges the popularity of the drawing.
The winner gets some nice swag and a check for $5,000.00 from Tuaca. I would like that!
Drawing © 2015 Marty Coleman
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by Marty Coleman | Apr 6, 2015 | Dressing - 2015 |
#sameoutfitdifferentday
Dressing the Same
This morning I read an article, ‘Can Women Get Away With Wearing the Same Thing To Work Everyday?‘. It’s interesting and has some insightful and funny responses.
My response at the time was, “Here’s my thought on it. Unless the expectation of a woman wearing something different everyday is going to get you fired or demoted if you don’t adhere to it, then the decision is on the woman. It’s not about society’s pressure, or other women’s expectations or anyone else on the outside saying anything, it’s the woman making the decision on what to wear who is responsible for the decision. We constantly talk about how we are suppose to NOT worry about what others think. As a woman, if you believe that AND you like the idea and reality of wearing the same thing most every day (or even more than once a week) then wear it and be confident in your choices.”
But that is a bit simplistic of a response from a man and creative artist point of view. Since I am not a woman, I wanted to find out more about why or why not my female family and friends think.
Here are my questions:
- Is ok or not ok to wear the same outfit more than one day in a row, in a week, etc.
- What are your rules for that and why do you have them?
- What do you think when other women break those unspoken rules?
- If you don’t like the rules because they are expectations from outside, why and how do you get around them, or do you?
- What wider opinion do you have about this?
Here is what my wife said about it. She would wear the same earrings or shoes, no problem. Jeans as well. But a skirt, dress or blouse? No, she wouldn’t. Why not I asked. She said it might show she doesn’t have much to wear (meaning she’s poor to some degree) and that it might smell, or people might think it smells even if it doesn’t, just by virtue of it being worn more than once. She said if she was traveling she might be more likely to repeat an outfit.
Retweet and Share
I would love to know what you think of the drawing and give a retweet or a share of the image and the blog post would be great. Use the hashtag #sameoutfitdifferentday to connect to others talking about the article.
Keep the conversation going among your friends, male and female, see what they have to say.
Bonus Points
Where do the texts on the towel come from?
This drawing and any of the napkin drawings are for sale – original or print. Please email me at marty@napkindad.com to inquire.
Drawing and commentary by Marty Coleman
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by Marty Coleman | Apr 5, 2015 | Easter |
Mary on Easter Morning
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by Marty Coleman | Apr 1, 2015 | Shame - 2015 |
A Question
Is this quote true?
I think it might be. Here’s why.
The Anger of My Father
When I was growing up my father was often angry. He wasn’t pissed off at little league games or piano recitals (and I am grateful for that), but he was angry at many things for many years.
Life got pretty difficult in the early 70s due to his drinking, and the drinking of my mother, who was inebriated most every single day for years. The alcohol brought out intense, angry battles between them, with us three kids being collateral damage along the way. My older sister and I were teenagers during this time and we often got in arguments with them as well. Most of my arguing with either of them basically was telling them to get their shit together, that they were the parents and we were the children and I wished they would act like it. It was frustrating and unstable, not only for us two older ones, but especially for my younger sister, who was between 6-9 years old during the worst years.
And it got worse before it got better, a lot worse. But it did get better. My mother and father both stopped drinking. My father’s anger, while never complete gone, was greatly diminished and well within what could be considered ‘normal’.
20 Years Later
I don’t remember my father telling me he felt shame from all those years of anger, but I think that was one of the main emotions he felt. Why do I think that? Because when it was my turn 20 years later to be the adult with problems of alcohol and anger, that is what I felt.
What do you think?
From your experience, does something begun in anger eventually end in shame?
This drawing, and most every napkin drawing, is for sale, original or print. Please email marty@napkindad.com to inquire.
Here are my other posts on shame –
Headline Walking – Shame #1
Sara Haines, Kim Kardashian and the Power of Empathy – Shame #3
Drawing and commentary by Marty Coleman
Quote by Benjamin Franklin, 1706-1790, American inventor, diplomat, politician, business owner, printer, writer.
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by Marty Coleman | Mar 31, 2015 | Series, Sketchbook History Tour |
The Napkin Drawing
A few days ago I had a client meeting at Starbucks. I stayed after it was over to drink the rest of my coffee and draw. Two women were having a conversation close to me, one facing me, the other away, and it seemed I could get in at least a quick sketch before they left.
I did a quick pen and ink napkin drawing. What was interesting was both of them were sitting up straight. Neither leaned back in their chair, except briefly. The one facing away was particularly still the entire time, sitting on the very edge of her chair.
A few days later I finished the napkin drawing, coloring it in a somewhat fanciful way, not really worrying about accuracy because of the other drawing I did of them that same morning.
The Sketchbook Drawing
I took a chance they would stay a while and brought out my sketchbook and did another, more detailed, drawing of them. It probably took about 45-60 minutes to do the drawing.
Because they both sat so straight and still it was a great opportunity to get more in depth with the shading.
When I got home I immediately started working on the drawing. I like the finished drawing; the colors, shading and mood feel right. The only part that bothers me is where the two arms meet in the bottom middle of the drawing. It flattens things out in an odd way, making them look like they are next to each other instead of one being in front of the other.
Connecting
When I finished they were still talking. I usually draw people who are alone so it’s no big deal to come up to them when I am done drawing and show it to them. I may be interrupting something but it’s not going to be a conversation (unless they are on the phone/facetime, etc, in which case I don’t interrupt). In this case I knew I would be interrupting a conversation but I felt it would be worth it.
I showed them the drawings, first the sketchbook drawing, then the napkin. The women who was facing away, Elizabeth, didn’t seem to be appreciative of the interruption, which makes sense, since I WAS interrupting. Megan, who was facing me and whose face you see in the drawings, seemed more enthusiastic but still muted in her response.
And that illustrates why drawing two strangers and showing it to them is harder than drawing one. There is the consideration of the other person to take into account when responding to the artist. The dynamic of three is a lot more complicated than the dynamic of two. It’s the same reason that while I understand the desire & need, it can often be awkward when someone escorts a model to a photo shoot. The model is responding to the escort at times, instead of to me as the photographer. And it’s the reason that while people may dream of a menage a trois it barely ever happens in real life because it would be way too complicated (no, I haven’t).
I usually like to get a photo of the model with the drawing but given the situation I decided it would be too intrusive and didn’t ask. I always regret not asking. But I gave them my business card and told them the drawings would be done and up on ‘The Napkin’ by next week. Hopefully they will come see it.
Drawings and writing by Marty Coleman
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by Marty Coleman | Mar 30, 2015 | Illustrated Short Stories |
What She Did – Chapter One
Yes, she had to stay at her brother’s apartment Ruth told their mom. Yes, she knew that meant mom would have to find someone else to let the dog out to go pee during the day, but she still needed to stay over there.
Ruth made a list of things she needed to do before she got there and another list of things to do after she arrived. The final thing on the first list was to pick her brother up at the rehab place. The first thing on the second list was to recheck his apartment one more time for any alcohol. She found none.
She cooked dinner for her brother, who was uncommunicative and surly. They watched TV until late then he went to bed. She wasn’t comfortable going to sleep until she was pretty sure he was out for the night. She finally faded off around 4am, sleeping on a fold-out couch in her underwear.
What the Fire Did – Chapter Two
She was aroused from a dead sleep by the smell of smoke. She immediately started coughing and her eyes started burning. She couldn’t see. She yelled for her brother but got no response. She crawled to his door with her t-shirt over her mouth, trying to breathe. She touched the doorknob and it burnt the palm of her hand. She called for him again but got no response. She crawled back towards the front door and opened it. She got up and ran down the stairs out onto the lawn.
Ruth was in pain, her legs felt hot and she smelled burning flesh. She saw a TV news truck, an ambulance, a cop car and a bunch of people hanging around, many pointing at her. She collapsed in front of the ambulance just as a paramedic was coming towards her. They were able to get her on one of those rolling beds they use and started to investigate what her injuries were. She was able to look back at the apartment for a brief moment and saw 3 buildings burning, including the middle one she had run out of.
She was whisked off to the hospital where she found out her legs had been pretty badly burned. She was exhausted and pretty much passed out once she got out of the ER and into the ICU. She was awakened again and again for various reasons but it was all a blur.
What The Nurse and Doctor Did – Chapter Three
When she awoke the next morning she was jolted by seeing the massive bandages on her legs. She felt like the world started spinning as she realized where she was and what had happened to her. She dropped her head back on the pillow and let the world spin.
When she raised her head back up a nurse was walking in. He introduced herself as Samha, asked how she was doing and explained what was happening. She had her burn wounds cleaned out a bit last night, they were covered in a cream to help loosen the remaining dead skin, then they were wrapped with gauze to protect them. This dressing was going to be taken off this morning and her wounds examined by the doctor. Then they would be cleaned again and dressed again. This would be repeated twice a day until she was ready for a skin graft, if it was needed. She told her the rest of the medical treatments would be explained by the doctor when she came in.
Ruth was about to ask about her brother when the doctor came in. She was perhaps 50 years old, had wiry salt and pepper hair pulled back in a pony tail and wore black rimmed glasses. Her full lips were covered in a deep but bright red lipstick. As much pain as she was in, she wanted that lipstick. She thought it very weird that she thought that. The Dr. smiled and started talking as she looked down at the chart. She introduced herself as Dr. Fernandez. Ruth asked her straight out, “What happened to my brother?”
Dr. Fernandez looked at her with kind eyes and said, “Your brother wasn’t able to make it out. I am very sorry.” The world started spinning and she dropped her head back once again.
What Her Dad Did – Chapter Four
She pretty much slept through the first 2 days. When she awoke her father was there. He had brought Ruth her phone, her tablet, her latest Vogue magazine and a book that had been on her nightstand. He had also brought a small rolling suitcase with her makeup and other toiletries as well as a underwear, various tops and a sweatshirt for if it got cold.
Her mother would be at the hospital later, her father said. She had an appointment at the funeral home and had to take the dog for a walk. Ruth didn’t mind. She would rather see her father anyway, less stress, less guilt, less feeling inadequate. She knew her mother loved her, but she also knew she loved her brother more. She would figure out a passive aggressive way to indirectly blame Ruth for his death, she had no doubt.
There was a food tray on the rolling thing, she didn’t know what those things were called. Her father asked her if she wanted to eat and she realized she was very hungry. She wolfed down the salisbury steak and mashed potatoes, not caring in the least that it tasted institutional. She actually smiled when she got to the Jello cup. It was her favorite flavor, grape.
What the Fire Did, Part 2 – Chapter Five
Ruth and her father talked for a long time about what happened and he filled her in on some details. The fire had started in the apartment next door. A burner had been left on under a frying pan and the leftover grease in the pan had caught on fire. They think it had caught a dishrag that was next to the stove on fire and that it had fallen to the kitchen floor and caught the a little kitchen rug and part of the cabinet door on fire. That led to the entire kitchen going up.
When the people in the apartment realized what was happening it was way too late. They ran out the door and the air coming in fed the fire even more. The kitchen wall was the shared wall with her brother’s bedroom and the fire took out that wall almost immediately. It’s very likely he was dead from smoke inhalation before she had even woken up her father said.
What the Nurse Said – Chapter Six
When her father left she had her dressings changed. She was completely grossed out to see her legs so violently stripped of skin, glistening with bubbly disgusting wet…she didn’t know what it was. What is under your skin but before the muscle called anyway? It didn’t matter, it was terrible and that’s all she knew.
If that wasn’t enough, it hurt like hell to take of the bandages, clean the wound and put new bandages on. She decided this recovery process would be a good ‘enhanced interrogation’ technique for spy masters. She knows she would tell anyone anything they wanted to know to stop this pain, that much was for damn sure. She was glad Samha the nurse wasn’t asking questions though because he would have blushed at her confession. As bizarre as it sounded, even to her, having this incredibly handsome but gentle man tend to her wounds was just about the most loving thing that had ever happened to her in her life. She thought it extremely unlikely these two things would ever be combined, but right then they certainly were.
She thanked him, telling him she could never do what he did, it was just so hard and so gross. He then said something that changed Ruth’s life forever. He said, “But it’s actually very easy to do because I love you.”
“You love me? What do you mean, you don’t even know me.” She responded.
He said, “Is what I am doing a loving thing to do for someone?”
“Yes, of course.” she said.
“And that means I love you.” he said with a light smile.
He was just about to the door when he turned and said, “I know you are the same you know. Your mother told me of how you cared for your brother. I think you are a lover, not a fighter.”
Ruth sat stunned. Love, loving, lover. All of a sudden she understood the connection.
What Ruth Did – Chapter Seven
When Ruth got out of the hospital 5 weeks later her father picked her up and drove her to her apartment. As soon as he left she went down to her car under the car port. She tried to start it, fully expecting the battery to be dead but it wasn’t. She was nervous about driving, her legs were so weak and she had a stick shift that demanded a pretty strong left leg for the clutch. She gingerly drove around the apartment complex parking lot, realized it wasn’t as hard as she thought it would be and drove straight to her brother’s grave.
She sat on the wet ground and talked to him for a long time. She told him she had tried to get to him and apologized for not being able to save him. She asked him to say hi to Grandma and Grandpa, told him she would take care of his record collection. She told him about Samha and what he said about love. She said that that one comment had clarified exactly what it was she was to do with her life. She hated that it took such a tragedy she told her brother, but she wanted to let him know that his death had at least one good thing come out of it, his sister now knew her purpose in life.
After she left the cemetery she drove back to her apartment. She sat down at her computer and wrote an email to her friend Mandy from college. She knew Mandy was off in Thailand helping at a orphanage, having seen a few Social Media posts of hers over the past 6 months. Ruth wrote asking if she needed any help.
Epilogue
Ruth joined Mandy at the orphanage a month later. Mandy actually ended up coming back home to the US 3 months after that. Ruth however stayed at the orphanage. She met the love of her life, a co-worker at the orphanage who was raised in the local village. They were married 3 years after she arrived. They adopted one child from the orphanage and named him Samha.
Ruth lived with no regrets, loving deeply and completely the rest of her life.
The End
Drawing and story © 2015 Marty Coleman
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by Marty Coleman | Mar 27, 2015 | Series |
I am at a client meeting and stayed after to have a second cup of coffee. Drew a quick sketch in between writing notes.
Will go home and finish the drawing, maybe write a short story to go along with it, who knows.
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by Marty Coleman | Mar 24, 2015 | Monica Lewinsky, Shame - 2015 |
Monica the Brave
Many of you will remember Monica Lewinsky, the White House intern caught up in the 1998 Clinton impeachment scandal due to her affair with the President. She recently gave a TED talk about public shaming, something she knows a lot about. It’s a fantastic lecture and she brings up what I think is a horrible aspect of contemporary life, even more harsh than when she was in the center of the storm, and that is public humiliation and shaming.
Miles of Headlines
She had a number of great lines in the lecture and this quote was at the top of the list. It perfectly updates the old quote about walking a mile in someone’s shoes to apply to our current world. To really understand what the people most affected by public humiliation and shaming, think about living through the headlines and publicity they have to live through.
Compassion and Empathy
What she is asking for is to be compassionate and empathic in the cyber world as well as in the real world. Now, it’s important to clarify one thing. Feeling compassion for someone does not mean you are absolving them of guilt. Being empathic does not mean you don’t approve of some serious consequences for their actions or words. Having both in your repertoire of responses simply means you treat that person as you would like yourself to be treated, with understanding.
Influence and Power
Here is her suggestion for action;
The theory of minority influence, proposed by social psychologist Serge Moscovici, says that even in small numbers, when there’s consistency over time, change can happen. In the online world, we can foster minority influence by becoming upstanders. To become an upstander means instead of bystander apathy, we can post a positive comment for someone or report a bullying situation. Trust me, compassionate comments help abate the negativity. We can also counteract the culture by supporting organizations that deal with these kinds of issues, like the Tyler Clementi Foundation in the U.S., In the U.K., there’s Anti-Bullying Pro, and in Australia, there’s Project Rockit.
We talk a lot about our right to freedom of expression, but we need to talk more about our responsibility to freedom of expression. We all want to be heard, but let’s acknowledge the difference between speaking up with intention and speaking up for attention. The Internet is the superhighway for the id, but online, showing empathy to others benefits us all and helps create a safer and better world. We need to communicate online with compassion, consume news with compassion, and click with compassion. Just imagine walking a mile in someone else’s headline.
I agree with her. I would love to hear your ideas and suggestions as well.
Ted Talk
Here is the video of her talk.
You can go to the written transcript from there if you prefer to read it.
Here are my other posts on Shame –
Parenting in Anger Shame #2
Sara Haines, Kim Kardashian and the Power of Empathy – Shame #3
Drawing and commentary by Marty Coleman
Quote by Monica Lewinsky, 1973 – , American author and activist.
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by Marty Coleman | Mar 22, 2015 | Ed Ruscha, Series |
“Good art should illicit a response of ‘huh? Wow!’ not ‘Wow! Huh?'” – Ed Ruscha
Denver
Whenever I travel I like to check in advance to see if there are any cool museums I should hit. I often am wanting to see the architecture as much as the art. In 2009 I hit the jackpot with the Denver Museum of Art. It’s an amazing structure that had amazing art inside.
One of the pieces there was this one, ‘Molten Polyester’ by Ed Ruscha. I hadn’t seen any of his work in decades, since I had been in graduate school. I had no idea he was doing these larger pieces with epic mountains and words and it resparked my interest in his work.
Molton Polyester – 2005
Words
As a Napkin Kin you know how much I like words and that almost every napkin is a combination of words and images. Then it’s no surprise that one of my favorite artists over the years has been Ed Ruscha. His use of words, sometimes laid over recognizable images and sometimes just on a gradient of color, have always been compelling and thought provoking to me.
Ed Ruscha by Dennis Hopper. 1964
Ferus Gallery
His first recognition as an artist came in the 60s when he had his first show at Ferus Gallery, a groundbreaking space in LA that championed a number of California artists, including Robert Irwin and Richard Diebenkorn, already in the ‘Artists I Love’ series.
Large Trademark with Eight Spotlights, 1961
An interesting side note for those who think New York is and always has been the first city of art in America. It was at the Ferus Gallery in 1962 that Andy Warhol had is very first solo art exhibition. It consisted of his Campbell Soup Cans and 5 of the paintings sold. They cost $100.00 each. The gallery owner, Irving Blum, decided all the paintings should stay together and cancelled all 5 of the purchases. Just imagine what they would be worth now if the collectors had been able to take possession of the paintings.
Ruscha was firmly in the grips of the new pop art aesthetic when he started. He liked using the images of the world he saw, mundane and non-elitist, similar to Warhol, Johns and Lichtenstein.
Ed Ruscha – Standard Station, 1963
But he had a subversive side that pushed further than simple pop visualization. He added an element that he said was based purely on his visual curiosity, as in, ‘I wonder what a standard station would like like if it were burning.’ And there is that innocent, gee whiz, element to it. But there is no denying that culturally and socially he was making a statement.
Ed Ruscha – Burning Standard Station, 1965-1966
He took it even further when he depicted the new heart of art in Los Angeles, the LA County Museum of Art, opened just a year earlier, burning down. This wasn’t a generic gas station, this was biting the hand the fed him. I remember this painting for two reasons. One, I was taken to the LACMA soon after it opened by my parents. Number two being it was right next door to the famous La Brea Tar Pits, home to long-deceased dinosaurs.
Ed Ruscha, Los Angeles County Museum On Fire – 1965-68
Liquid Words
In the late 60s Ruscha started doing paintings of liquid in the shape of words.
Lisp – 1968
Sometimes it would be water, but other times it would be a liquid connected to the word, as in ‘Ripe’.
Ripe – 1967
Adios written honey is another example. By having the ants stuck in the honey we know who the ‘adios’ is meant for. But it also allows us to abstract that idea out to larger situations that could include humans. It’s literal and metaphorical at the same time.
Adios – 1967
Unconventional Media
The painting of fruit juice or honey to look realistic is one thing, but taking non-art materials and actually using them as your art-making material was another step. Ruscha, influenced by Duchamp’s readymades and other artists using found objects, started to do the same. One of his most interesting series in that vein is the gunpowder series.
It’s simple enough, he drew with gunpowder instead of graphite. It looks the same in many ways but he liked something about it’s texture and how he could work with it. It was not lost on him however that simply using the word ‘gunpowder’ in his list of materials was part of the artwork and the meaning.
Quit – Gunpowder and colored pencil on paper – 1967
Self – Gunpowder on paper – 1967
Eye – Gunpowder on paper – 1970
No Words
He also started doing work with no words at all.
Man Wife – 1987
Strong Healthy – 1987
And what does he do when he uses no words? He leaves blank spaces where words would be then titles the pieces so that you believe the title fits into those spaces.
Sentences
Eventually Ruscha started to incorporate whole sentences into his work. They were mundane and unremarkable in their reference to the everyday world but when disembodied from their usual context became rich in possible meanings. As usual though, there wasn’t any one interpretation that was right or wrong.
Pay Nothing Until April, 2003
I Don’t Want No Retro Spective – 1979
Of course, as one might expect given Ruscha’s inclination towards word play and irony, this painting became the cover of a retrospective book on his art work.
The Act of Letting A Person Into Your Home – 1983
Oklahoma
In doing this piece I came across something about Ruscha I didn’t know; he was raised in Oklahoma, where I now live. It actually has found it’s way into his work in many more ways than I realized. From his cross-country travels from Oklahoma to LA where he discovered his love for the landscape and the iconic gas stations along the way to the use of the words Tulsa and OK again and again in his work, Ruscha always remained connected to his roots.
Tulsa – 1967 – Gunpowder on paper
OK – 1990 – Lithography
Tulsa Slut – 2002 – Acrylic on canvas
This is from a series he did on palindromes, words or phrases that can be read the same forward or backward.
No Man’s Land – 1990 – Acrylic on canvas
Even when he doesn’t use words he is still often asking a question, ok?
Meaning and Questioning
One of the questions that gets asked about Ruscha’s work has to do with meaning. What is he trying to say, what does he mean? I think the best way to understand Ruscha’s meaning is to replace the word ‘meaning’ with ‘question’ since he isn’t really much of an answerer or a propagandist. He reminds me of a visual Paul Simon. Simon’s lyrics often stop short of an clear storyline, instead they give pictures and hints about meaning. Ruscha does the same thing and that’s why he is an artist I love.
In 2013 Ruscha was named one of Time Magazine’s 100 most influential people.
Resources
This is not a exhaustive showing of his work or explanation of his place in contemporary art or art history. There are incredible resources to explore if you are interested in finding out more about his work and life. Here are just a few.
Ed Ruscha’s L.A. – The New Yorker, July 1st, 2013
Ed Ruscha – Catalogue Raisonne
Ferus Gallery history – Archives of American Art
Road to Ruscha – a collaborative road trip from Oklahoma to LA
More Artists I Love
The entire ‘Artists I Love’ series can be found below or by clicking on the ‘Artist I love’ link at the top of the page.
Winter/Spring 2015
Summer/Fall 2014
Winter 2012/2013
Winter 2011/2012
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by Marty Coleman | Mar 19, 2015 | Curiosity - 2015, Illustrated Short Stories |
Chapter 1
Betsy heard it first as she was running her usual Saturday morning run. She had a long training run that morning and had decided to run through some lightly used trails that criss crossed open fields in the State Park behind her college. Most of the students who ran stayed much closer to home, usually running around the campus perimeter on the sidewalk. But Betsy liked the freedom and open space of getting off the beaten path. It allowed her time to let her mind wander creatively, something she sorely needed on a regular basis at her school.
As the sound got louder she looked up and saw something streak across the sky. It hit the ground within 50 feet of her, creating a big indentation in the grass. Once it hit it stayed put, not rolling, not tipping over. She ran over to it, stopping a short distance away, expecting it might be hot. She held her hands out as she walked slowing towards it. She felt no heat so she continued until she was arms distance away.
It appeared to be made of rough, porous stone. There were inscribed lines radiating out from its center and bright jewel-like lights in between the inscribed lines. She touched the stone, then one of the lights. When she touched the light a quiet tone played. It sounded like it was coming from everywhere at once. She touched another stone and a different tone, equally as quiet, played. She continued touching the lights, trying to hear how many different tones the object could play. She figured out that it played what seemed to be eight tones in one octave and the another eight tones exactly one octave higher.
She tried touching two lights at one time. When she did that the object played a chord. The two tones of the two lights and a third complementary tone. All the tones and the chords were incredibly beautiful to listen to. Like the clearest bell she had ever heard.
Betsy spent the next 3 hours playing the object. She found out she could make a tone repeat regularly if she held her finger on the light for 3 seconds. She found if she quickly tapped a light twice it would play the light’s normal tone and a harmonic tone at the same time. After about an hour she felt her cell phone vibrate in her pocket. She brought it out and found that her music player was notifying her that a new song had been downloaded. She went to the player and found the song. It was untitled with no cover art, no information about it at all. She played the song and heard the object’s tones. It was the sounds she had been playing.
She put the phone away and went back to playing the object. She learned more tricks and methods and came up with what she thought was a pretty cool composition. After another hour her phone vibrated again and another song from the object had been downloaded. It was the composition she had just come up with. She did this one more time, increasing the complexity and rhythm of the composition and one more time the object sent the music to her phone.
She realized it was getting late and that she had to get back to her Sorority for a big event that night. She tried pushing the object, thinking she might be able to roll it to an out of the way place. That way maybe no one else would find it and she could continue to play it. However, there was no moving the object. She would just have to hope it was still there when she came back.
Chapter Two
The event that night was a mixer with a fraternity from a neighboring school. The girls all went over to the frat in a bus. Some of the girls had already started drinking at the sorority house and were tipsy by the time the party started. The guys were all vying for attention by doing stupid party tricks or dangerous stunts out the windows and on the roof of the frat house while the girls oowed and awed.
Betsy was bored with it all and decided to find a quiet room where she could listen to the songs she made with the object. She walked into a 3rd story bedroom. Her head was down looking at her phone and she was just about to push play as she entered when she heard a grunting sound and looked up. A young woman was on the bed being held down by a large burly young man. He had on the frats sweatshirt but his pants were down around his ankle. The woman was topless, her bra in the man’s hand, which was also pinning her arm down on the bed. Her skirt was up around her waist. The woman screamed, ‘Betsy, help me!”
Betsy dropped her phone and leaped towards the man. She tackled him and the two of them fell off the bed and onto the wood floor. Just as the man started to raise his fist to strike her Betsy heard the object’s music starting to play. The man’s arm fell and his twisted, angry face lost all expression. He went limp and blank.
Betsy jumped off him and turned to look at her Sorority sister. It turned out to be Selena, one of the new girls, one she hadn’t really met except for at the rush party a few weeks earlier. Betsy asked if she was ok, if he had raped her. Selena said no, he hadn’t actually penetrated her yet but he was just about to. Betsy quickly turned back toward the man, double checking to see if he had gotten up, but he hadn’t. She picked up her phone, shut off the music and called 911. The ambulance was there within 3 minutes, as were the police. They all dealt with it as they should have; having a counselor available, taking her to the hospital, testing her, taking photos and arresting the man.
Chapter Three
The would-be rapist, a student named Bradford, eventually woke up from his stupor. He contritely confessed to the police that he had attempted to rape Selena and that he would have if Betsy hadn’t stopped him. He said he didn’t remember anything after she tackled him except some weird music as he went down. He said he had no idea where the music came from and the police chalked it up to him being knocked out cold. He was tried and convicted of attempted rape and was sentenced to 10 years in prison. He would get off in 7 if he behaved himself.
Betsy was hailed a hero by Selena, her sorority and the entire school. She got a call from Good Morning America to be interviewed about the incident and it became a national story. Time magazine did an article on the everyday heros of America and she was #12 on the list. A guy who saved puppies was right above her at #11. She tried to explain that she had no idea why he went out like a light the way he did, but most people credited it on the blow to his head as he hit the floor. It went well with the story of her being strong and fearless and there wasn’t much she could do about it. She wanted to tell someone about the music playing a part in it but she knew it would make no sense. But even if it had made sense it wouldn’t have mattered. The next time she tried to play the music it had all disappeared from her phone.
Because of all the attention and activities surrounding her saving Selena from being raped she didn’t get back to the field with the object in it for almost a week. When she did go back the object was gone. There was an indentation in the ground, but that was it.
Chapter Four
Fourteen years later she had her second and final run in with violence. She was driving on the freeway, her two kids in car seats in the back when a truck cut her off in traffic and slammed on his breaks. She just barely avoided smashing into him. The man, red-faced and angry, got out of his car and stomped back to hers.
She was scared to death but was able to roll up all the windows and lock the doors before he arrived. He started yelling obscenities at her, telling her she was a danger to society, that she should learn how to drive and that he was going to teach her a lesson. She turned to the front media console and pressed the emergency call button she had programmed. As she did this she took a quick look in her rear view mirror. She saw her 5 year old panic stricken, about to cry. But her 7 year old was calm, looking down and playing with the old cell phone her mother had given her as a play toy.
As she got 911 on the line and told them what was happening the man violently busted in her side window with his elbow. She screamed as he reached in to grab her neck. She grabbed his arm instead and pushed it towards the steering wheel. She pressed his hand against the wheel and Hit his elbow as hard as she could. She heard a sickening crack. He screamed in pain while at the same time bringing up his left hand. In his hand was a gun. He was in the act of aiming it at her face when she heard the music. It was the music of the object from so long ago. The man went blank just as the rapist had. He dropped the gun and dropped to the ground.
She turned quickly around to see how her kids were. Her 7 year old looked up, smiled and said, “That’s my favorite song. I made it up myself.”
The End
Drawing and story by Marty Coleman
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