On The Run – Global Running Day – 2019


On the run I don’t think about how long I will live or how running is affecting the length of my life. I think about the incredibly rich challenges and joys of being on the run.

On the run is where I discover the unexpected me. It’s where I unexpectedly rise to a challenge and where I unexpectedly have an epic failure. It’s where the time-worn story of limitations I tell myself again and again on the couch is proven to be a lie.

On the run is where I learn that nature’s elements are not enemies, they argumentative but supportive companions. They don’t argue to keep me from succeeding, they argue to provide the challenges that create the success.

On the run is where I search for who I really want to be and find out who I really am. Sometimes there is a wide crevasse between the two and it is disappointing and deflating. But on the run is also where I have those magical moments where there is no distance between who I want to be and who I am.

On the run I experience all those things; challenges, joys, arguments, the expected and unexpected, the frustrating gaps and the sublime moments.

On the run I add life to my days, not just days to my life.


Drawing and commentary © 2019 Marty Coleman | napkindad.com


Empathy over Shame

I drew this napkin and wrote the commentary 4 years ago this week. Still true.

shame3-2015_sm

Purchase the original | Purchase a print

Periscoping Sara

I Periscoped with a TV Newsperson the other day (see the end of the post for an explanation of Periscope).  

She was in a cab after a long day of work and play. Her name is Sara Haines and she is a Lifestyle and Pop News Anchor for Good Morning America on ABC. It’s a good fit for her because she is chirpy, funny and a energized ball of laughs and smiles. She had been Periscoping during commercials and then later at a party. But now she was done for the day and on her way home.

sarahaines-periscope

Understanding Kim

I and others were watching her now in a more relaxed, contemplative mood, reflecting on things based on questions we were asking.  Someone asked her if she liked the Kardashians. The person asking may have been expecting a typical, ‘I hate them, they are terrible’ type of response, I don’t know. But that is not what they got.  Sara said she is intrigued and fascinated by them, especially Kim Kardashian. She said she tries to imagine what she would do if she was raised like her, looked like her, lived her life, had her money. What choices would she make and how different would they be from the choices Kim does makes?  In other words, she doesn’t judge or shame Kim, she empathizes with her. And that means she can simply enjoy her for who she is and try to understand her.

Screen shot 2015-05-12 at 2.52.56 PM

Empathy Covers Shame

So far the 21st century is the century of public shaming and judgment. But what Sara shows in her attitude is that happiness and joy comes from empathy and understanding of others, not judgment and shaming. It’s a lesson we all need to learn again and again, that when we are tempted to judge, especially in the public arena when we truly don’t know the person, it’s best to step back and try to empathize, to understand what it is they are feeling and reacting to in life.  That is when we will grow and learn.

Hope for Humanity

I like Sara from what I seen of her on TV, but she went to the top of my ‘I have hope for humanity’ list when I was able to hear her talk about her way of seeing the world and the people in it.  She’s also now at the top of my ‘What TV person would you most want to have lunch with’ list. I think the conversation would be fantastic.

I have written a second blog post about Sara and Kim. You can find it here:  Sara Haines, Kim Kardashian and the Power of Love

Spirals, Part 2 – Portraits

Spirals have taken over much of my drawing in recent months. Part 1 from a few weeks ago showed the abstract patterns I have created. Now here are the characters and portraits that have come from my spiral infatuation.


Recent Drawings – 2019

‘Making Him’
pen and ink on paper, 2019

This was a quick sketch that didn’t have a defined background. I decided to work in some color well after the drawing was done and while doing so I thought it would be a challenge to see if I could make the clothing translucent. that led me into thinking of who this woman could be, what situation she could be in and I decided to put her in an intimate, personal setting thinking to herself.


‘The Weight’
pen and ink, acrylic paint on paper, 2019

Often times I don’t have the time or the position to draw the whole person. What happens is I see just one element of the person I like, in this case the high bangs, and I just work from there, making up the rest of the person and the scene out of my head.


‘In the Museum’
pen and ink on paper, 2019

When I was in college my first girlfriend had a bridge of her nose that pretty much went straight down from her forehead in a straight line with no dip below the brow. I found it very attractive, Romanesque is how I thought of it. I I can’t say she was my only inspiration but I often find myself drawing a straight line all the way down from hairline to tip of nose when making up a profile face. In this case I even went to opposite direction, making a bump where there is usually a dip.


‘Don’t Cut Me Down’
pen and ink on paper, 2019

I noticed a violin player at church wearing a Renaissance Peasant dress that stood out. I started from there and built the drawing around that image. The idea of the cut down tree has recurred in my drawings here and there over the years. The stump representing both a life cut short and a transformation of something into something else.
I think of both when I see someone going through a trauma. It’s a death of sorts but it is also a rebirth into something new and unknown.


‘In The Waiting Room’
pen and ink on paper, 2019

I was waiting for an appointment to have my very sore right Achilles checked out (not the same one I had surgery on in 2016) and saw this women sitting very still opposite me. I wasn’t sure I would have enough time to get the entire scene but it was worth a shot. Turns out it took a while for either of us to be called so I was able to get the drawing done.


‘At the River’
pen and ink on paper, 2019

I was inspired by seeing a woman with hair that curved around her face but other than that this drawing is completely made up. In most of my drawings there is more room at the top and sides for a background but in this case her portrait fills the image so much that I only had a small area above and below. I thought I would try something different and not put in a horizon line and distant background like I usually do but instead draw what would be below her in the distance.


Spirals, Part 1 – The Abstract Patterns

I listened to an audio book recently titled ‘All the Light We Cannot See’.  It was a fantastic book about two young people during World War II. I highly recommend it. 

In the book there is a good friend of one of the main characters. He is brutally beaten at one point which results in permanent brain damage. This main character visits his friend later and finds that he spends his days sitting and doing nothing but drawing spirals again and again.  It was a very sad part of the book.

I thought about this idea of someone being reduced to doing the simplest of drawings and I decided I would do the same. I would start with a simple spiral and see where it led me.

While there are other shapes in some of these drawings I made a decision that spirals would be the main focus in each image or it wouldn’t be included in the series.

Most of these have been done digitally on my iPad mini but some are watercolor or marker on paper.

This is part one, the Abstract Patterns.


The Broken String – A Resurrection Lesson


The Broken String – 
A Resurrection Lesson

I play with a broken string. Even if I replace it, I know another one will break soon enough. I have to choose, do I give up and never play again or do I play with the instrument I am given, broken string and all?

My choice is to play. That is what I am asked to do.  And in this life that means I need to be open, not to a one time resurrection, but to a daily one.


Drawing and commentary © 2019 Marty Coleman | napkindad.com


Skin Is Not Sin

I drew this and wrote the commentary 7 years ago today. Still true.

Open Air

Why do we think skin equals sin?  Why is the exposing of skin seen as dirty? Obviously in breastfeeding a mother shows her breast. If she is in public she might cover her breast with a blanket. But it’s also possible that she might choose not to cover, maybe because the child gets fussy under the blanket, maybe because she likes to watch her child nurse, maybe she likes the feel of the open air. Whatever her reason and whatever her choice there will be someone who feels it’s wrong, dirty or rude for her to nurse in public, no matter what.  

It’s Your Fault

This gets to the heart of a persistent idea. It’s the idea that the woman is to blame for the actions of the man. It usually boils down to one thing, she showed too much skin.  Whose fault is it if a man reacts rudely, even violently to a woman showing ‘too much skin’? In this persistent idea it is the woman’s fault. Why? Because you can’t expect a man to be able to control himself in the face of that much skin showing.

Self-Control

I, as a man, am offended by this the same way a woman would (and should) be offended by a comment saying a woman can’t control her emotions so she can’t be trusted in important roles in public life. The same is true with the ‘skin’ argument for men. It is not the case that men can’t handle it.  It is the case that when men SAY they can’t handle it they are using it as an excuse for their own bad behavior. They are rationalizing their inability to have some self-control by blaming it on others.  It’s not the ‘other’ who is to blame. It is the man.

Click here to see the whole ‘Breast’ series


Drawing and commentary ©2019 – Marty Coleman | napkindad.com

Quote is my variation on ‘Skin does not equal sin’ – anonymous


Words Matter


This will sound funny coming from an artist but for a long time I used to think artists who said, “I have to do art to express what I can’t any other way.” were sort of copping out. I didn’t really get it. Then the Orange Man came along. I’ve been drawing the Orange Man for 3 years now and it’s a series I wish I wasn’t compelled to do, but I am. I can’t express my disgust any other way. Words just aren’t enough for me.


Drawing © 2019 Marty Coleman | napkindad.com


Acting In / Talking Out

I drew this 10 years ago today. Still true.  Commentary is new.

One of the most oft repeated public events in our world today is the airing of a person’s ‘sins’ and the response from that exposed ‘sinner’.  Yes, I am using the word ‘sinner’ on purpose, because it fits how people look at the infraction. We aren’t seeing it as slight breaking of some rule, like jay walking, we are seeing a perceived moral failure.

You name the person; Trump, Weinstein, Huffman, and more and there is harsh judgment not only for the infraction but for the public apology for the infraction. Why is that?

Because it’s talk vs action. They acted immorally but their immediate response is to talk morally. We inherently don’t like that. That is why we crave punishment. We want the immoral act to be balanced by another act, not by words. Nice words are not enough.

What we want is to see the person who dug the hole with his or her actions to dig out of the hole with actions as well.  That is why redemption takes time and why most people who find themselves in a deep hole they created should say whatever mea culpa they need to say, knowing it is insufficient, and then shut up and start acting to get out of the hole.

The action might be incarceration, it might be charity, it might be exile, who knows. None of that matters though if the most critical action, the action that has to be there, isn’t implemented, and that is self-awareness. The sinner has to recognize they have sinned, they have to decide to take action to change their thinking and their behavior and then they have to take that action and never stop.

And what is our obligation in all this?  I believe we err when our judgment is so harsh that we don’t allow that they actually may have dug themselves out of the hole with actions, not words, and that they deserve to be given a second (or third or fourth) chance. It doesn’t mean they get to be back in their same position of power over others, it simply means we allow that they have done the work and deserve a chance to do or be something better than they were.


Drawing and commentary © 2019 Marty Coleman | napkindad.com


Finding a Cure for Jerks

I drew this 5 years ago this week. Still true.


Research 3

What would this field of research be in, anyway?  What would the disease even be called? Do you think the government would give a grant for it?


Drawing © 2019 Marty Coleman | napkindad.com

Quote by Bill Watterson, 1958 – not dead yet, American cartoonist, author of Calvin and Hobbes.


Happy Spiralita – An Illustrated Short Story

The Question Girl

Spiralita was a happy girl, in spite of her questions. As a matter of fact, it was her questions that gave herself that happy identity. She was known throughout the land as the ‘Question Girl’. Some made fun of her because of all the questions she asked and some admired her for always being so curious about the world.

But she paid no attention to those people since she didn’t ask her questions because or for them. She asked them because she wanted to know answers. Not THE answer, just answers. Answers were the answer to everything.

The Answer is the Answer

And because she was always asking questions she was always getting answers. She didn’t always believe the answers because she knew answers could be wrong. But she believed even in getting wrong answers. Wrong answers she understood were the only thing that led to right answers because they were the reason for asking more questions and questions were essential to answers. You can’t have one without the other.

The Hill of Life

What made her happy about all this was she knew that getting answers led to progress up the Hill of Life. Getting up any hill wasn’t easy but getting up the Hill of Life was especially hard because it was very steep and very rocky. It was uneven and sometimes dangerous. It could be beautiful and wonderful but not always. Each sharp, giant boulder and each dark, swampy part was overcome by finding the answer to a question. She knew if she practiced asking questions and finding answers when the path wasn’t too hard she would be better at it when she reached these scary parts.

The Solo Climb

And it worked. She was successful in getting to the top of the Hill of Life and just as importantly, she was happy doing it. She felt bad for some of her friends who stumbled and fell back down the hill along the way, even though she tried to help them. She was happy though for her other friends who also figured out how to get to the top. But she knew, in the end, that each person had to climb the hill by themselves. 

The End


Drawing and Short Story © 2019 Marty Coleman | napkindad.com


Destiny vs Fate

I posted this drawing 10 years ago today.  Still true.
I did the drawing in 2002, and another one just like it, and put them in my daughters’ lunches to bring to school.


napkin_12-13-02_destiny

I love this quote. It reminds me of a road trip. Destiny is the driver and Fate is the friend in the passenger seat saying ‘turn here, go straight, take the on ramp, take the back road…


Drawing © 2019 Marty Coleman | napkindad.com

Quote by Henry Miller, 1891-1980, American writer


On The Staten Island Ferry

‘The woman on the Staten Island Ferry sleeping but aware I am drawing her and hoping she looks pretty.’

I did this drawing in 2003 while on my way to visit a girlfriend’s family on Staten Island, New York City. We were dating in Tulsa at the time and both happened to be in NYC at the same time while visiting our respective families.  I hopped the ferry to SI to meet up with her and meet her family for the first time. It as a fun visit and very insightful to see where she was from.

Our relationship didn’t last for too much longer after that for the usual reasons, just basic incompatibility, nothing crazy or major.  A few months after this trip I started dating Linda, who would eventually become my wife.

I drew the original drawing in 2003. The next time I rode the ferry was in 2018 to the start of the New York City Marathon. That sparked my memory and a few months later I searched out this and a few other drawings from that trip. In 2019 I added the color to this one.


Drawing © 2019 Marty Coleman | napkindad.com


Simplicity of Thought

I wrote this 5 years ago after my first speaking engagement at SXSW. Still true.


SXSW

I am back from 6 days at SXSW Interactive in Austin, TX.  I led a workshop then attended presentations and panels on a wide range of topics. Being there is the ultimate in complex reality.  Between the overwhelming crowds and choices; the sheer logistics of eating, drinking, transporting, sleeping, and the intense focus of meeting, talking, learning, teaching, communicating, and remembering it all, it was anything but simple. 

simplicity is less thoughts, not less thinking.

The Simplicity of Thinking Now

The only way I could keep it simple was to be focused on what was in front of me. Whether it was a person I was meeting for the first time, a slide on a screen, a lecturer, or a transportation moment, paying attention to that alone allowed it to stay as simple as it could be at the moment.

The Complexity of Thinking Not Now

Yes, I was multitasking. For example, I wanted to tweet what was being said but I also wanted to take notes. My solution? My tweets became my notes.

When I got in trouble was when I thought ahead instead of stayed with what I was doing. For example,  leaving my hotel in the morning. I never forgot my badge, thank God, but I did forget my water bottles one day. Doesn’t seem like a big deal, but when water is 3.25 a bottle? It’s a big deal.

I forgot my schedule booklet one day and had to go over to registration (a long way in a big convention center) to get a new one, one not marked up with all my notes. I had left mine in the hotel bathroom when I went back in to make sure I was empty before starting my day.

Twice while at the conference I left a water or coffee behind that cost way too much to leave behind. Yes, I went back and got them each time and it added frazzlement to my day.

Less Thoughts, More Thinking

All this made me think about Simplicity. I realized I didn’t need to think less, I needed to have less thoughts. When I limited the amount of thoughts or was able to unify those thoughts into a clear thread of thinking, then I was successful in getting the most out of my time and efforts. That’s simple enough, right?


Drawing, quote and commentary © 2019 Marty Coleman | napkindad.com


Death and Birthday Cake

I drew the drawing and wrote the commentary 6 years ago today. Still true.


birthday 2

Vicious vs Kind

We in the western developed world are not usually reminded so viciously of death as they are where disease and war ravage nations with impunity.

We are also lucky in that birthdays are the kindest way of setting in front of us our own march to mortality, that we will die.

Depression vs Cake

Sound depressing? Yes and no. Yes, we will die and that thought can be a bummer. But then again no, because it also tells us that while we are alive we should eat the dang cake already!  The cake may be a real cake, but it can also be a metaphorical cake.

Eat from life, take a hold of what you want, or stretch out your hand and reach for it until you can take hold.  It won’t always be there, YOU won’t always be there.  Don’t wait.


Drawing and commentary © 2019 Marty Coleman | napkindad.com

Quote by Jo Brand, 1957 – not dead yet, English comedian


How To Avoid Evil

I drew this and wrote the commentary 2 years ago today. Still true.


Let’s consider the history of the world, shall we? What is it filled with? Good people doing terrible things. Why are they doing these terrible things? Because they don’t think they are terrible. They think they are good.

The WORST of these violators think what they are doing is good because their conscience says so. Their conscience might be in the form of GOD telling them to slaughter entire tribes. Or maybe it’s their conscience telling them it’s their superiority in intelligence or religiosity or genetics, etc. that allows them to enslave and colonize entire continents. Maybe their conscience tells them their physical strength gives them the right to own women and make them do what they want. Maybe their conscience tells them their wealth proves their worthiness to be in control over others and those others who are poor deserve their fate.

How do you avoid letting your conscience lead you astray into evil? For me, it’s by having a rules of behavior and thinking that guard against it.

Here are four actions that I practice remembering:

  • Being kind is more important than being right.
  • Knowing something to be true too quickly is not to be trusted.
  • Seeing the issue from the person who could be hurt’s point of view is essential.
  • Causing harm to a specific group of people is not my conscience acting, but my ego and my fear.

What actions do you take?


Drawing and Commentary © 2019 Marty Coleman | napkindad.com

“Men never do evil so fully and so happily as when they do it for conscience’s sake.” – Blaise Pascal, 1623-1662, French scientist and philosopher


Three Drawings

‘I Am Glad I Am An Artist’ – pen and ink on paper, 2019

This is a true story. I was in the men’s room before church and stood between to men while peeing.  They were both older gentlemen (I know the drawing makes them look younger, oh well). They were talking about their retirement.  I focused on what they were saying so I would remember it. 

All I could think of as they talked was that I am so glad I am an artist because I don’t have to worry about retiring and having nothing to do. Artists ALWAYS have something to do.


‘What They Thought’ – pen and ink on paper, 2019

I drew these two women at a local cafe. I had the thought bubbles there for quite a while before I decided what to put in them.  As I was painting the image much later I thought about how easy it is to imagine someone who is overweight thinking they are too fat and need to lose weight. But it’s not as nearly common to see a thin person and imagine they are thinking they are too skinny and need to gain weight.

It’s an assumption we make that is just another form of judgment. What’s the point of that judgment? What does it do for us?


The Anxious Parent’, pen and ink on paper, 2004 – 2019

I drew this in 2004 at Knox College where my daughter Connie was in her Freshman year. I was there for Parents Weekend and was attending a meeting on Study Abroad. 

The woman was very intense and did say she was very worried about her child going abroad. I imagined her having a dream of danger and her husband calming her worries.  It seemed like a nice idea to offset her obvious anxiety.

I came back to this drawing after 15 years and decided to paint it.


Drawings and commentary © 2019 Marty Coleman | napkindad.com


Belief and Unbelief

I drew this 16 years ago to put in my daughters’ lunches and I posted the drawing to this blog 10 years ago today. Still true.

I liked using these napkins to spark my daughters’ thinking about various ideas (they were in High School at the time). They would pass the napkin around their lunch table and a conversation would often develop as a result. 

Many years later I had friends of my daughters tell me how much they enjoyed having the napkins come out each day and the conversations they would have as a result. 

Makes me feel like I did something good.


Here is the original text that went with the post the first time.

So, if this is the case, what are your unbeliefs? And once you tell us that, how did your beliefs, blind or otherwise, create those unbeliefs? Or, maybe you don’t believe this quote about unbelief?


Drawing © 2019 Marty Coleman | napkindad.com

“With most people unbelief in one thing is founded upon blind belief in another.” –  Quote by Georg Christoph Lichtenberg, 1742-1799, German physicist


Life and Death, Spring and Winter

I drew this drawing and wrote the commentary 4 years ago today. Still true.

Life and Death - Winter #1

To Everything

As the song and bible passage goes, To everything there is a season. This has been a recent season of death for me. This isn’t a bad thing, it’s a natural thing. And no, I am not the one doing the dying, at least not in the short term. But in general I am at the age when one comes in contact with death a bit more frequently than when younger. In the past week specifically my father-in-law, Tom Reynolds, and a friend, Oren Miller, have died. A little over a month ago my Aunt Jean died. My father, Skeets Coleman, passed away less than a year ago. In addition I have a friend, Charlyn Shelton, almost die in a car wreck. On social media many of my friends have shared about their loved ones passing away as well. And so I have been thinking about death recently.

Sunny Mexico / Cold USA

Two weeks ago my wife and I took off on a vacation to Punta Mita, Mexico. It’s on the Pacific Coast, just north of Puerto Vallarta. We went with her brother and sister and their spouses. It’s the first vacation of it’s kind we have ever taken together. On the surface it seemed like we planned it pretty well. Mexico was at 78-80º every day while almost all of the US was below freezing with ice, snow, wind, sleet and general weather misery.

Winter Brings the Sweetness

But there was more to this trip than the good timing of being in warm weather while our homes were in freezing temps. There was also this:  We all bought trip insurance because my wife’s father, Tom Reynolds, wasn’t doing very well. He had been battling cancer for over 12 years and it finally seemed to have got the better of him. While there was some hope, it was slim. But we made our best guess and thought it would be best to go on this trip sooner than later and so we did.

But with a day and a half to go in the vacation we got the call. He had taken a turn for the worse and was in the hospital. We did our best to figure out early flights home but it was not in the cards. That meant in spite of the situation we were going to be in Mexico one more full day, leaving the morning after that.

We had a choice to make. We could lounge around the pool and ocean, static and disconnected, giving us time to dwell on our not being able to get home, or we could go out and do something. We chose to go out and do something. We spent the day at a small beach village a few kilometers away from the resort.  We ate, we bought some gifts, we walked around the town. We found a real estate office and fantasized about buying the various houses that were pictured for sale in the window of the office. We people watched. I took a lot of photos of scenes on the street.

We hadn’t forgotten about Tom, but we still had to live in our circumstances. And while we had some guilt for not being there or being able to get home right away, we also had enhanced gratitude for our lives knowing that someone we loved wasn’t far from being at the end of his.  In other words, it was the winter of his life that gave a portion of sweetness to the summer of ours.

Warm Life in Winter

We did make it back on schedule and went straight to the hospital. Tom was holding his own but the overall situation wasn’t looking good.  The cancer had spread to his brain, he had had seizures, his blood pressure had fallen then risen and he had contracted pneumonia. He was sedated, in no pain that we knew of, and had a ventilator doing his breathing for him.

Yesterday morning, 5 days after we returned, we got another call. His blood pressure was falling and his meds were maxed out, they couldn’t adjust for that anymore. We were told to gather. With his entire family was around him those closest to him told kind and funny stories about him. They told of his passions and eccentricities.

One of the great things about his family is they were raised by him and their mother to be musical. Linda’s sister taught music and choir in high school for decades. Linda had been an opera singer in her past and their brother had been in choirs as well.  And so, as we gathered around him, they started singing his favorite hymns and some of our favorites, among others. I sang in the background or hummed along as I was able. But a lifetime of them knowing how to sing with each other came out and soft transcendent harmonies of love and beauty sent him on his mysterious way.

And then he was gone.

Warmth of Life in Summer

But we aren’t gone. We remain alive. We still eat and breathe and sleep. We still laugh. We still tell stories and wonder about things. We still worry about others.  We still create and talk and love.

With a loved one’s passing or winter encasing us in cold we tend to see the negative, and it’s hard to argue with that.  But ask yourself this: when do you most frequently hear admonitions to enjoy life, to embrace the joy and to live in the moment, to not let any opportunity pass by where you can let a loved one know (or a stranger for that matter) that you love them and are there beside them. Who do we hear that from the most? From one who has lost a loved one or almost lost their own life. It’s that brush with death that brings out in them the passion for life, right?

Running Life

After Tom died yesterday we lingered around the hospital until the funeral home came to get the body. We then went to lunch. After that it was time for me to go home and shortly thereafter I went to my job coaching runners. It was my first run in almost 2 weeks (I slacked off in Mexico, don’t judge). It was cold, foggy, misty and a bit windy. And I loved it. I loved it because I was alive to love it.

What and who are you alive to love?


Drawing and commentary © 2019 Marty Coleman | napkindad.com

Quote by John Steinbeck, ‘Travels with Charley – In Search of America’

Original vs Unique

I drew the drawing and wrote the commentary 7 years ago today. Still true.


Original

I fancy myself a pretty good thinker. But considering almost all my napkin drawings start with a quote that I myself did not make up, it would be disingenuous of me to say I come up with all original ideas. 

Unique

However, I do believe I am unique thinker. A unique thinker isn’t someone who thinks up something out of the blue. Instead it is someone who takes these ideas from others and combines them, mixes them, bakes them into a uniquely stated idea. Not necessarily a new idea, but an idea that has been thought through by one unique individual and come out the other side with something no one else can give it, the perspective and expression of that one person.

Finding Oneself

I think a lot of young people who are unformed in their own identity don’t understand what this means. I see it all the time on reality TV shows like American Idol. The judges say to the young person, ‘you have to just be yourself’ or ‘you have to put your own spin on it’ or ‘you just need to find your own voice’.

The least mature of the singers look blankly back at the judges, having no idea what it is they are talking about. They don’t know yet how to take another idea, (another song in this case) and make it their own because there is no ‘own’ there yet. They are doing their best to imitate a great singer but they don’t know yet how to become a great singer themselves.

Pride

The originality of your ideas isn’t as original as you probably think and it is not what you should have pride in. It is what should endow you with humility. How you take what is given to you from the outside and transform it into something uniquely yours, THAT is what you can have true pride in.


Drawing and commentary © 2019 Marty Coleman | napkindad.com  

Quote by Ralph Waldo Emerson who, rumor has it, read in bed.


In Bed With Mediocrity

I drew the drawing and wrote the commentary 6 years ago today. Still true.

Signs of Life

My post yesterday showed a woman watching TV in the dark, pretty much unmotivated and inactive in life. She was leading a mediocre life and I illustrated it by showing her being idle while the world passed her by.
But the truth is being idle is not necessarily a sign of mediocrity. It’s mostly a sign of nothing. It’s just something we all do. We all have times we are idle, not pursuing some grand goal. We just sit and read a light novel, or watch a funny TV show, or listen to frothy infectious pop music. If you have a drive to achieve something, a drive to be excellent at something, then that idle time is good. It is needed to rejuvenate your ideas, your creativity, your energy.

Signs of Death

But if you are living a mediocre life, a life unmotivated and without a flame of excellence then that same idleness is a killer. It is not rejuvenating you, it is burying you. It is helping you to die while you are still alive. So ask yourself – Are you taking a breather at the end of a long day? Then you are in good company, most of us like to do that. Or are you taking a breather from life? Then you might want to slap yourself awake and see if you might not want to pursue something greater than the killing mediocrity of never ending idleness.

Real Life

When I mentioned on twitter this morning that I was drawing a woman with curlers in her hair my friend and fellow running coach Theresa thought I might need some inspiration so she sent me a photo of herself in curlers. She says she sometimes will even stop at a convenience store to get something while in her curlers AND has been hit on a number of times. She says it has to do with her confidence, that she is who she is and likes it, curlers or not! I have to agree, that’s what confidence is all about!

 


Trivia Question from yesterday answered

Question: A man known to many as ‘The most hated man in America’ was suppose to be on the Titanic but missed the boat. Who was he and why did he miss it?

Answer: Henry Clay Frick.  He was the chairman of Andrew Carnegie’s steel company and was the man in charge of the violent response to a worker’s strike in 1892 at the Homestead Steel Plant.  As a result of that he became widely hated in the US.  He and his wife, Adelaide, were ticketed to be aboard the Titanic but she sprained her ankle in Italy shortly before the voyage and they were not able to make the crossing.


Drawing and commentary © 2019 Marty Coleman \ napkindad.com

Quote By Albert Camus, 1913-1960, French writer and philosopher. Winner of the Nobel Prize in Literature, 1957


From Real To Un – I Draw In Church

Drawing in church (or anywhere) is not restricted to drawing something or someone I am looking at.  Here are 5 examples of the range, from starting with a real person but adding a made-up background to doing something abstract that has no connection to a world outside itself.


The Violinist’s Hand

The drawing is of a real person…sorta. She is the violinist in church that I draw frequently. But I am not being hired to draw her portrait so I am not particularly concerned about it looking exactly like her. I have certain parts that I hope I get right and I work at that, but just like an author will tell you, sometimes the character takes on a life of their own. In the artist’s case, the lines made and the colors chosen have reasons, some known some unknown, that go beyond a likeness to the individual and into an idea, feeling or mood.

The background obviously isn’t from church. I created it to build on the idea of her looking off in the distance and hoping for help. After I drew the background I came up with what she might be thinking. I penned that in and was going to leave the last word off but then thought it would be interesting to finish the quote with a visual instead of a word.


The Stained Glass Singer

Here is another example of starting with a person, in this case a choir member. This time it looks like I went even further away from a standard portrait but it didn’t start that way. 

That happened later, when I was in my studio studying the drawing. That is when I started to see the facets in her face and thought about defining them.  I have done that many times before over the decades and it’s always a fun exercise to work on.

But what made it special this time was realizing that building those up could turn her into a stained glass window. It seems like a perfect thing to do. 


Sad Girl

The only thing remotely connected to a real person here is a general shape of the face, but even that is exaggerated. It was just a shape I saw and remembered as I passed someone in the hall of the church. 

The rest of the drawing I wasn’t looking at anybody or thinking about anyone in particular. The initial line drawing of the shape gave me a melancholy feeling so I drew the rest of the portrait to match that.

I chose the blue and yellow stripes of the hair first. The shirt was a solid at that point but I felt one solid block of color would be too heavy at the bottom. I liked the idea of something bridging the two sides of her so I added stripes to the shirt. It also allowed me to create a sense of volume to her body.

Sometimes a situation arises that causes you to make a decision you otherwise would not make. I started filling in the pink background on the left and slowly realized the marker was running out of ink. In most cases I would just refill but I didn’t have any refill ink. So, I had to consider what could I do on the opposite side if I wasn’t going to use the same color. I liked the idea of using a cool color to break up the symmetry of the image and to cast a different mood to the two different sides so I went with a pale green.

At the very end I did not like the big blank space between her eyes and her mouth so I decided to add her blushing. It seemed just the right finishing touch to the image and her melancholy.


The Aliens

Sometimes the distance between what you start with and what you end with is light years away. I ended with a couple of goofy aliens landing on earth. But what I started with was a breast.

I had this idea, yes while in church, of a nude woman floating in the air. So, I drew a breast to start. I realize two things at this point. One, I made the breast too big to make my idea of a whole person floating feasible and two, church might not be the best place to draw this image even if it did fit.

So, what to do? I contemplated what I had and saw a possible space ship. One shaped like a flying breast it’s true but I figured I could make that not so apparent. 

And of course a space ship has to have aliens so I decided to make them look like bumbling boobs, just for fun.


Spiral #7

Sometimes I am completely in my head at church, not looking at anything.  This is the case with this drawing of spirals, one of a series I have been doing lately.

While it is completely abstract (meaning no reference to anything beyond itself) that does not mean I am not considering the possible ideas that might come from the drawing.

In this case I was very deliberate about having the four quadrants be mirror images of the diagonal quadrant and to have the colors be the same. At this point my thoughts are about how the colors are reflecting groups of people and how they interact – tribes, colonies, and yes churches.

That doesn’t mean I expect someone looking at this drawing to see that, or to see anything at all. It’s just where my mind meanders as I am creating these sorts of images.

The great thing about art, and in particular abstract art, is that everyone is right in their opinion. There is no absolute truth in art.  What you want it to mean, it means.


Drawing and commentary © 2019 Marty Coleman | napkindad.com


Scene with Numbers


In 2017 I drew this in the cafe of the church I attend. I finished the drawing today, just about 2 years later.

When I made all the thought bubbles in the drawing I as thinking of what they could all be thinking that would make them unique and similar at the same time and the idea of numbers came to mind. We frequently think in numbers, even if we don’t realize it so I started writing down various numbers that we get attached to and sometimes obsess about; money, age, time, distance, size, temperature are just a few.

I showed this on my live stream as I was drawing it and one person commented, ‘Eternity isn’t a number.’ And he is right. But it is a concept of time and time is all about numbers so it still fits. Plus I did the drawing at a church, where the idea of eternity is talked about probably more than any other place.


Drawing and commentary © 2019 Marty Coleman | napkindad.com