Artists I Love – Figures from the LACMA Permanent Collection
When we vacationed in LA in the summer of 2024 I knew I wanted to see the Los Angeles County Museum of Art (LACMA). It was one of my favorite museums when I was growing up in LA and when I lived there again as a young adult. The main reason I wanted to go was because of a special exhibition of Ed Ruscha’s lifetime of work. He is among the top artists in my life. You can see why in the post, ‘Artists I Love: Ed Ruscha‘ from 2015. The images in that post were from a retrospective of his work at the Denver Museum of Art and covers most of what was in the LACMA exhibition.
I didn’t know what I would find in the permanent collection but was very pleasantly surprised. I easily took over 100 photographs of the art in that collection and obviously had to edit it down. No surprise, I found the figurative theme most interesting. This selection is centered in the Expressionist paintings of the early 20th century. The paintings that are not in that movement either lead the way into the expressive use of form and color the expressionists are known for or show the lasting affect expressionism had on painting later in the century.
These images weren’t first created with apartment buildings in mind. It was after they were done that I started to see personalities and interactions, conflict and companionship, connections and structure and found the tie-in to close living. Click any image to see the slide show.
Typically when I am creating a design on my ipad I start with a line or a shape and let it tell me what the next line or shape should be. I eventually discern a pattern and will build on it until I am happy. It sounds funny but I know I am done with a piece, on paper, canvas or screen, when I feel happy. By that I mean it feels like it is what it is supposed to be. There is no time frame for this, it can take minutes or it can take years. My digital work doesn’t usually take very long but I do have drawings and paintings from the ’80s and ’90s that I have taken out of a drawer and started to work on again, finally finishing them 30 to 40 years later.
This summer I went to visit my daughter Rebekah and her family in Virginia. I was particularly excited to spend time with my 10 year old granddaughter, Vivian. The first day we went museum hopping in Washington, DC. We spent time seeing selections from the National Portrait Gallery, the National Gallery of Art and The National Archives. Vivian was a trooper, walking over 9 1/2 miles that day with nary a peep. Bribing her with Boba Tea at the end helped.
The first four shown here are from an exhibition at the National Portrait Gallery called ‘BRAVO!” which highlighted people in the entertainment industry over the decades. I was particularly taken by these paintings of women and their stories of overcoming strong obstacles to achieve their goals. The fifth, ‘Amarilla’, was elsewhere in the museum but I really liked it so I included it.
50 years ago I graduated from High School. Do you know what that means? No, not that I am old, which I am not (I know this to be true because everyone tells me I look so young I could be celebrating my 49th, not my 50th…)
It means I recently attended my 50th High School Reunion (Darien High School in Darien, Connecticut.) I moved there at the beginning of Jr. High and moved away after High School, living in the town for only 6 of my 68 years. But what a 6 year span it was. My identity was forged in those years and I left with the vision and intention to become a practicing artist, which I did. So did many others in my class. We had a strong art department in our school and many of us went on to have vocations and avocations in the arts. Many others didn’t go into art immediately but had their talent and practice come out later in life. Either way, there was and is a lot of creative activity.
The result of that was the planning committee including an art exhibition and opening as part of the weekend. There are a lot of fantastic pieces so if you are near Darien, Connecticut go check the show out at the Darien Public Library. It’s up until mid-September, 2023. I sent in a suite of 9 napkin drawings as my contribution. Here they are. They are for sale at $200.00 a piece, framed. They are approximately 6″ x 6″ so they fit perfect in small areas. Contact me at marty@martycoleman.com if you are interested.
Click on any image to see a slide show of them all.
I recently ran the Cowtown Half Marathon in Fort Worth, Texas and took the opportunity while there to visit one of my favorite museums, the Amon Carter Museum of American Art. I’ve been a number of times before while visiting my niece who attends TCU nearby but this time I made sure to take pictures of some of my favorite pieces in the collection.
The Carter is one of 3 museums in the same location. The others are the Modern Art Museum of Fort Worth and the Kimbell Art Museum, both of which are incredible in their own right, both architecturally and because of the permanent collections and temporary exhibitions.
No offense to Fort Worth’s more attention-getting cousin, but Dallas doesn’t have anything on Fort Worth when it comes to museums. Don’t get me wrong, I love the DMA, but these three museums are really special.
Chimney and Water Tower, Charles Demuth
Two Herons 1948-50, William Lester, Oil on Masonite
She was writing the letter to her father but had a hard time saying what she wanted so she had started it 7 times.
By that time she was copying bits and pieces of the earlier attempts into the letter in the hope it would finally come together.
The first letter was too harsh. The second was too mushy. The third was too mushy. The fourth was too safe. The fifth was too pretentious and the sixth was too boring.
The seventh was turning out to be all those things and she didn’t like that so she took a break to get another cup of coffee.
As she stood in line she saw a mother roughly pull her child out of the way of a customer walking with a hot cup of tea. It reminded her of something good.
She put on her headphones and got lost in her romance novel until it was her turn to order. The barista said, “Bless you.” when she paid. It gave her a warm feeling.
While she was waiting at the end of the counter she saw an old man grab a pile of napkins as he picked up his drink with both hands. He smiled at her and said, “You can never be too careful, right?”. “Don’t I know it.” she said back with a smile.
As she settled back in her chair she heard the man behind her explain in great, minute detail the process of brewing a perfect cup of coffee to whoever he was with. She quietly chuckled and rolled her eyes.
She felt confident now of what she wanted to tell her father. She smiled as she wrote the five words and signed her given name.
One of the most frustrating things for many artists is when someone is so sucked in by technical virtuosity that they pay no attention to anything else. They don’t care if it’s a lame, derivative and unimaginative image of a B list celebrity, all they see is that ‘it looks so real, isn’t that amazing!’. It becomes the end all and be all of artistic value.
But for me, it is first off, a technical feat that isn’t as hard as people think it is. It looks impressive but having done photo-realism myself back in graduate school days, I know it can be done with repeated practice and not much else. It doesn’t, in and of itself, take a lot of imagination or creativity, it just takes technical practice. Don’t get me wrong, it can include those things, it’s just that often times it does not.
Secondly, admiring that over all else shows a simplistic understanding of art and what it can be and do in society. If the only art that is great or worthy is art that is a direct copy of a photograph or of a real scene, then it cuts off the value of the creative impulse in art that goes beyond realism, like expressionism, abstraction, impressionism, conceptual art, etc.
Thirdly, we already have the photo. What is the value of making something look like a photo when you already have the photo? It becomes just a way to prove virtuosity, which means it becomes a gimmick. Gimmicks in art fall flat after a while.
Fourth, it creates a group of artists who feel like the only valid work is realistic work, that they have to stay in that realm or they are discarded as being not very good. This is especially damaging to beginning artists in their teenage years where they are often pushed to make things look ‘realistic’. But art doesn’t need to be realistic to be valuable and good. But these teens, frustrated with their inability to make something look real, which might be being taught by their teacher and expected from their parents, give up on art never knowing they were perfectly ok just working in whatever vein they were working in.
My teaching philosophy is to teach creativity development and imagination building alongside technical expertise. If one does that then the artist will be able to create technical masterpieces but will have something unique and original within them that make them more than just dead copies of something else.
This month (Aug, 2018) we had the 45th year reunion of our Darien (Connecticut) High School class of 1973. One of the things we have all been amazed at over the years is how many of us ended up being artists of one sort or another. Some ended up being full-time professional artists, some part-time, but there were many more than you would figure from a class our size (about 300).
Jim Hett talking to a crowd in front of his artwork.
One of our alumnus (and artist), Jim Hett, also has had years of experience in museum work, installing, curating, organizing exhibitions. He took the initiative to organize an exhibition of many of the artists’ work and installed it at the Darien Public Library earlier this month. Even though I wasn’t able to attend I wanted to send some work. I had a small space to work with and I wanted something that would be thought-provoking in a library setting so I chose from my ‘I draw in church’ series. I sent a suite of 9 small framed pieces.
Here are pictures from the exhibition. Following those are the individual images.
Exhibition at the Darien Public Library
‘I Draw in Church’
‘I Draw in Church – Jan the Baptist’ | Ink on Paper | 2017
‘I Draw in Church – The Divine Calculator’ | Ink on Paper | 2018
‘I Draw in Church – Mary Magdalena’ | Ink on Paper | 2017
The following three drawings were done in an actual bible. It was given to me in 1997 and I stopped using it to draw in around 2001. I don’t know the specific dates I drew each of these images but I added color to all of them in 2018.
‘I Draw in Church – I Am Not Who I Appear To Be’ | Ink on Bible | 1997 – 2018
This drawing includes a poem I wrote.
I am not who
I appear to be.
You see beauty,
I see me.
I see me as
Far and away.
Helpless, hopeless,
Nowhere to stay.
I see me with
Aching bones,
Sagging skin and
Spiritual groans.
I see me as
Selfish and mean,
Trite and hateful,
Enviously green.
If you see me,
Truly you will know
My beauty proves
I don’t reap what I sow.
‘I Draw in Church – Thought in the Back of Her Mind’ | Ink on Bible | 1997 – 2018
‘ I Draw in Church – Prayers of a Pursed-Lipped Person’ | Ink on Bible | 1997 – 2018
These three drawings (one, ‘The Violinist’, is not pictured individually but you can see the image in the group picture above) do not include any words though one does still have thought bubbles. It’s just that there are images in the bubbles instead of words.
I Draw in Church – The Bible Reader | Ink on Paper | 2014
‘I Draw in Church – What They Thought’ | ink on paper | 2016-2018
(One piece is missing, ‘The Violinist’. I thought I had scanned it and had it in digital form but I haven’t been able to find it so I suspect I didn’t actually scan it.)
I’ve drawn in church since about 1980, probably because I started using sketchbooks small enough to carry into the building. When I tell people I do this often times I get the question, do people in church think that is rude? And here is the funny thing, while I have no doubt some do indeed think it is rude, not one time in close to 40 years has anyone ever said that to me directly. As a matter of fact most people who do talk to me about it are enthusiastic to see what I have drawn and want to know more about why I drew what I drew. This includes pastors, past and present, who sometimes are aware that I draw. The pastor at the church I currently attend will, on occasion, want to see my sketchbook, curious about what’s drawn my attention and how I may have interpreted a sermon or message. At least he knows when my head is facing down I am not asleep, just looking at my sketchbook!
