by Marty Coleman | May 19, 2017 | Photographic Sunday, Photography, Travel |
We often talk about getting lost in the landscape. The idea is to go out and lose oneself, and I get that. You lose all those society-laden elements that burden you. But losing is only half the story. The other is about what you find out about yourself when you are away from all that.
Here are a selection of photos I have taken over the years that visualize the lost and the found.
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by Marty Coleman | Jan 9, 2015 | Art Smith, Museum Compositions, Photographic Sunday |
Yesterday I posted a drawing and 2 photos from my foray into the Dallas Museum of Art’s ‘Bouquet’ exhibition over the Thanksgiving weekend, 2014.
There were other temporary exhibitions as well. One was a retrospective of Modernist Jewelry created by Art Smith. I honestly was more interested in the photographs of the models wearing the jewelry, most seeming to be from the 50s and 60s. The photographers were listed as ‘Unknown Photographer’ in all the photos, though one actually did have a last name written on it. It’s a relatively rare occurrence when something on a museum wall from the last 100 years is attributed to ‘Anonymous’ . The names of models in old paintings are often lost in time, but that is usually not the case with more contemporary portrait muses. But these were photos focused on the jewelry, not the photographer or model, and at least the Jewelry designer was known, right? Still, I felt bad for the photographer and models lost in time. I did however like the word play that immediately appeared in my head; I was taking photographs of photographs taken by unknown photographers of anonymous models.
I took a few pics with my regular camera then decided to take one with my cell phone so I could post it if I later wanted to. When I did that I happened to catch a reflected light in the eye of one of the model photos. That led me on a search for more reflected lights in the eyes. I spent minutes at a time trying to get the reflection to be just right. It was a fun and exacting effort. The other people in the gallery definitely were wondering why I was holding up a little old cell phone so long in one position, that was obvious!
Here are a few of my favorites from my effort.
Museum Composition – Anonymous Eyes #1
Museum Composition – Anonymous Eyes #2
Museum Composition – Anonymous Eyes #3
Museum Composition – Anonymous Eyes #4
After I took the pics I wandered around looking at the actual jewelry in the cases and, as you can see from the photos, they were incredible.
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Here are more ‘Museum Compositions’ posts
Museum Compositions – June 2013
Museum as Muse – Dallas Museum of Art – July 2013
Bouquets in Dallas – Dallas Museum of Art – November 2014
Anonymous Eyes – Dallas Museum of Art – November 2014
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Photographs and writing by Marty Coleman © 2015
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by Marty Coleman | Jan 8, 2015 | Dallas, Museum Compositions, Photographic Sunday |
Dallas Museum of Art
Over the Thanksgiving weekend we were down in Dallas visiting our daughter, Caitlin. We went to see the Dallas Cowboys play on Thursday, had Thanksgiving dinner after that and then spent the rest of the weekend just enjoying ourselves. On Friday Linda and Caitlin went shopping and I went to one of my favorite museums, the Dallas Museum of Art. I’ve been there 3 times now I think. It’s a large museum with an extensive permanent collection in all the major areas of art. It also has rotating exhibitions, usually at least 3-4 at a time. This time the major show was ‘Bouquets’. That means it was paintings of flowers. Not my favorite genre. It could even be my least favorite genre actually.
I knew this in advance and was thinking of going to the outdoor Sculpture Museum across the street instead but for some reason I forget now, maybe it was cold or rainy, I opted to go to the Museum anyway. I had my camera with me and figured at least I would be able to work on my ongoing ‘Museum Compositions’ series. I also knew that the exhibition had at least one Matisse painting in it so it couldn’t be all bad.
One of the good things about the DMA is they allow photography (without flash) everywhere, even special exhibitions. Most museums allow photography but not in the temporary exhibitions. Some, like the Gilcrease Museum in Tulsa, don’t allow any photography at all. So, I went traipsing around the museum and took some photos.
Drawing
I also did a drawing while I was there. It wasn’t in my sketchbook but rather in a gallery in the Bouquet’ exhibition where they had an actual bouquet of flowers for people to draw. They had paper and pencils and places to sit. I had a pen with me, the type I use in my sketchbook, so I used that on one of their pieces of paper to capture the scene. There was a place to put up your art work once you were finished but I didn’t want to let go of mine. I rolled it up and brought it home thinking I might color it later on. It got hidden in a bag I brought home and I didn’t find it again until last week right before my road trip to Virginia.
One of my goals for 2015 is to follow through on more of my artwork so I figured I needed to scan the drawing and put it out there before it got forgotten.
A drawing of someone drawing flowers in an exhibition of paintings of flowers at the Dallas Museum of Art.
Photographs
I didn’t capture many shots I liked but here are two I think stood out.
Museum Composition – Bouquet #1
This is one of the favorite ‘Museum Compositions’ images I’ve taken. The pose this woman unconsciously struck as she looked at the painting was exquisite and I quickly got off 3-4 photos of her standing there. I later went up to her and asked her if she was a dancer since the pose looks so much like one a dancer would strike. She said she wasn’t and I told her she sure had the posture of one. She took it as a very nice compliment and I was happy about that.
Museum Composition – Bouquet #2
I like the color combinations in this one and I especially like the interaction between the two people.
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Here are more ‘Museum Compositions’ posts
Museum Compositions – June 2013
Museum as Muse – Dallas Museum of Art – July 2013
Bouquets in Dallas – Dallas Museum of Art – November 2014
Anonymous Eyes – Dallas Museum of Art – November 2014
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Photographs and drawings © 2017 Marty Coleman | napkindad.com
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by Marty Coleman | Oct 21, 2014 | Halloween, Illustrated Short Stories, Photographic Sunday, Photography |
The Super Hero
Earlier during my cemetery walkabout, right as the sun went down, I happened upon a lone superhero starting her overnight vigil overlooking the city. She was strong and disciplined. I asked her how she got to be a superhero. She said she always wanted to be one and found that the local university had it as a major. She graduated in 3 years with a major in SuperHero Studies and a minor in Civil Engineering. Her day job is with the Army Corp of Engineers.
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The Zombie Pirate Queen
During my cemetery visit I also met the Zombie Pirate Queen. She was desperately looking for something more to eat. I pointed her in the direction of downtown, telling her the bar scene was hopping there and she should find someone to her liking. She thanked me and ran off, but not before giving me her business card, telling me to let my wife know she sold Avon on the side and could give her a free makeover.
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The Night Ninja
I was taking a leisurely midnight stroll around the cemetery when I saw Jack and the Night Ninja doing a bit of competitive grave robbing. I told them they could get a lot more work done if they worked cooperatively instead, which they did. In the end they made their deadline and planned to meet later at IHOP for breakfast.
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The Night Ninja skulked around me for a while after she was done grave robbing. She wanted to know why I was taking photographs and if I worked for the NSA. I told her no, but I was lying. I finally got her off my back when I gave her a coupon I had to Ulta and told her they had a 50% off sale on eyeliner.
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Unfortunately for the Night Ninja she never did get to have breakfast at IHOP with Jack. She instead met her demise at the hands of the Corpse bride who, in spite of being all in white, surprised the Night Ninja while she was checking her Snapchat. The Bride had just been left at the alter and hadn’t eaten all day so Night Ninja had an unfortunate end.
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Sally and Jack
I met Sally in a corner of the cemetery where she was waiting for her blind date. She had been set up by her Sorority sister, Drusilla, with her younger brother. She was quite scared of being alone in the cemetery and was happy to know there were others around. When her date, Jack, showed up out of the dark, hand first, she got so scared she peed a little.
Later in the evening I saw Sally and Jack enjoying a romantic moment sitting on a tomb. Jack had a big smile but Sally was worried about finding a bathroom.
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The Lady in Black
When I arrived at the cemetery she was the first person I came across. But she said nothing, she just looked watched me as I passed. Wherever I went, she was nearby, ever silent, ever watching. After the night was over I finally got up the nerve to talk to her. I asked her what she was doing in the cemetery. She stared at me intently, never blinking and said, “I am your eternal witness that these events were real.”
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© 2014 Marty Coleman – All Rights Reserved
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by Marty Coleman | Sep 26, 2014 | Photography |
How did The Napkin Dad end up being such a sexy hunk modeling a ‘Don’t Hate the 918’ t-shirt?
This is a photo of me taken by Steve Cluck, a Tulsa artist and entrepreneur. One element of his business is producing and selling the famous ‘Don’t Hat the 918’ t-shirts (for those of you out of the state or the country, 918 is Tulsa’s telephone area code). He is doing a photography project that consists of 918 people from the Tulsa area wearing his ‘Don’t Hate the 918’ shirt.
Beth
A few months ago a friend of mine, Beth Hawkins of Beth Hawkins Video and Photography, posted a request on Facebook looking for some people to be in a promotional video she was shooting downtown. It was on a day I had to be in Tulsa to coach so it would be easy to just go a few hours early and take part, which I did.
Beth Hawkins
Steve
One of the other people acting in the video was Steve Cluck, who I had never met. We had to wait while shots were set up and got to talking about his t-shirt business and my Napkin Dad endeavors. He told me about his project to photograph 918 people from Tulsa in his ‘Don’t Hate the 918’ t-shirt. When I explained who I was he recognized my moniker and invited me to participate.
That was enough for me and a few months later Linda and I went over to his studio and took the shots.
Steve Cluck
Showing Up
Have you ever heard the old saying “90% of success is just showing up.”? Well, it’s true. I answered Beth’s call because I like her and want to support her in her work. I also thought it would be fun. She also promised free pizza so there’s that too. Showing up is not just about showing up for things you are obligated to show up for, that should be a given. It’s also about being proactive and grabbing hold of things to show up for. Using your own initiative to go do something, to help, to participate, to explore your world. The results are usually unexpected and positive, as in meeting and networking with people who are good for your business, your social life, and your friendships.
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by Marty Coleman | Mar 5, 2014 | Dorothea Lange, Photography |
An Apology
First off, my apologies if you tried to get to my site yesterday. It was hacked and down for most of the day. With the help of a great PHP coder, Jim Gillispie, I was able to get it back up and running just in time for a momentous week ahead. Thanks Jim!
SXSW
I am headed to the SXSW (South by Southwest) Interactive Conference in Austin, TX tomorrow. I am leading a workshop called, ‘The Compelling Image in the Age of Social Media‘ on Friday. I wanted one more napkin for my presentation so I drew this one.
If you are headed to SXSW and would like to attend my ‘workshop‘, get your name on the waiting list as soon as you can and hopefully a spot will open up. The best and quickest way to contact me there will be via twitter. My handle is @thenapkindad.
Seeing With a Camera
One of the best quotes about photography is this if/then proposition: “If you want to take a beautiful photograph, then stand in front of something beautiful and press the button.” This proposition is true but there is a variable within it. That variable is what you consider to be beautiful. For me, a series of questions follow from that variable: Is my mind open to seeing beauty that isn’t readily apparent? Can I see beauty in details, in unexpected and hidden places, within something larger that may not be beautiful? Can I escape judgment long enough to explore an alternative appreciation for something?
I believe my camera can often be a gateway to that freedom, both for me as the photographer in the moment of discovery and later for the viewer of the image in the moment of revelation.
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Drawing by Marty Coleman
Quote by Dorothea Lange, 1895-1965, American photographer
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by Marty Coleman | Apr 5, 2013 | Harry Truman, Independence, MO, Photography, Thomas Hart Benton, Travel, Travel Napkins, Truman Library |
The Truman Library
Before I met the two Goddesses I talked about in part 1, I visited the home of 2 of my heroes. I met them at the Truman library in Independence, Missouri, just east of Kansas City. Truman is obviously one of the men I am talking about.
Harry S. Truman Library and Museum
The other of my heroes is Thomas Hart Benton, the artist. You may have read about him in my ongoing ‘Artists I Love’ series I have been doing the past few winters. He has one of his large murals in the lobby of the Truman Library.
‘Independence and the Opening of the American West’
The Buck Stops Here
One of the most famous sayings in Presidential history is from Truman. ‘The Buck Stops Here’ was his motto and has been restated by virtually every president since. He actually had the saying on his desk, and you can see it right as you enter the museum. Much of the museum is dedicated to the many decisions only Truman, as President, had the power to make.
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WAR
Bomb and Peace
Truman’s most controversial decision of his Presidency was one of his first. He chose to drop the Atomic Bomb on Japan. It led to their surrender but the decision was never unanimous within his inner circle nor among the military. It still is debated today.
One of the things I most admired in the Truman Museum was they did not shy away from bringing this controversy out in the open. they had a whole section dedicated to the arguments pro and con about the decision and allowed visitors to voice their opinion as well.
Here is a book visitors could write in giving their opinion and here is mine, in a drawing.
My opinion has always been that it wasn’t the dropping of the bomb that was the problem, it was dropping it on a population. I think that if they had dropped it 5 miles off the coast of Tokyo, the Japanese, who already were trying to figure out how to sue for peace and still save face, would have seen what was coming and surrendered pretty much along the same time table they did after the bombs dropped on Hiroshima and Nagasaki.
A History of War
Off in the corner of the downstairs are of the museum there are two examples of war. The first, in the background, is a 5,000 year old helmet from a Greek warrior. In the foreground is a small reproduction of the sculpture commemorating the raising of the American flag on the island of Iwo Jima towards the end of WWII. It’s a cruel testament to how incessant war is for us humans.
Plenty and Plenty of Nothing
But often out of the worst of events great efforts can arise. While we in the US were starting to come out of the trauma of war, Europe was not. Truman’s Marshall Plan was our initiative to help Europe make it’s way back.
While Secretary of State Marshall’s name and face was front and center in the plan to help all of Europe back on it’s feet, it really was Truman’s initiative. He knew however that due to his own political baggage a plan with his name on it would not have the universal support it needed to succeed. Marshall, the leader of the overall US War effort was one of the most popular men in the country and he was able to lead the project to fruition.
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Civil Rights
A number of Benton’s paintings were on display at the museum in a temporary exhibition titled ‘Truman and Benton: Legends of the Missouri Border’ that documented the interrelationship between the two over the course of their lives.
The Negro Soldier
During the middle of WWII Benton painted this painting. It was pretty controversial at the time. It depicted an American soldier, but it was a ‘Negro’ soldier, not something white America was used to seeing or celebrating. His choice to depict an African-American was his way of forcing people to see the black person as equal in war. Not long after the war was over Truman, in spite of a typical Missouri upbringing of his era that was rooted in the racism of slavery and segregation, signed an executive order desegregating the US Armed forces. It was met with much resistance in the south, breaking apart the Democratic party at the time, but very likely helped Truman win the 1948 election due to increased support in the north and west.
One of the reasons I like Truman is that, while by today’s standards he wouldn’t be considered enlightened on race, he certainly grew and moved beyond his own upbringing to move the country forward into racial equality as best he could at the time.
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Communism
Communism and Korea
When North Korea invaded South Korea in 1950, the cold war got hot. The policy of containment of communism had been fleshed out by the US and allies and it included not allowing the USSR or China to push into any areas they weren’t already occupying. The amount of fear that pervaded the US at that time regarding communism is hard for most of us to understand now but it was real. Some fears were valid but much was due to ranting demagogues like Sen. McCarthy and high pitched propaganda as seen below.
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Later
While the President and the Painter did not enjoy a friendship early on in their careers, they did become friends during the painting of the mural. Benton did a painting of Truman later in his life.
The Old President
Benton’s Tools
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The museum was well worth the trip to Independence. If you are anywhere near Kansas City I highly recommend it.
Self-Portrait at the Truman Library
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by Marty Coleman | Mar 24, 2013 | Photography, Social Media - 2013 |
In addition to my Napkin Dad persona I am also the owner of MAKE Studio, photography with an emphasis on personal portraits. In that capacity I spoke last week at the Social Media Tulsa conference on ‘The Compelling Image in the Age of Social Media’.
Frontispiece of Presentation
One of the points I made is having ‘just’ a cell phone does NOT mean you can’t take a good head shot. I took these photos of Jami Henson, who attended my session at the conference, right outside the main ballroom. It took a total of about 10 minutes to get 20-30 shots using the two cameras.
Now you might be able to discern the difference between the two images at the large size, but the truth is most social media uses, especially head shots are going to be much smaller. They are used as icons, profile pics and in other reduced size situations.
My point is not whether the DSLR photo is better, of course it is. But it is so much better in social media digital circumstances that you shouldn’t get the best out of what you have available? Can you put up something other than a grainy, ugly, badly lit photo of yourself at a party? Yes, you can. And you can do it with a cell phone if you need to.
If you are interested in experiencing the entire hands-on presentation/workshop for your company or group, please feel free to contact me.
Update 3/25/13:
So, ready to find out the answer? The top photograph was taken with my iPhone, the bottom with my Panasonic G1 camera. I did the same minimal manipulation on both. The iPhone image I converted to sepia and slightly adjusted the brightness and contrast using the Photoshop Express App in the phone. It took about 2 minutes to take, process and post. The G1 image I did the exact same thing, but did it on my Mac Pro desktop after downloading from my camera.
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© 2013 All rights reserved – Marty Coleman | MAKE Studio www.martycoleman.com
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by Marty Coleman | Mar 20, 2013 | Photography |
I compel you to look at Photography part 2. You can hear more about it at the Social Media Tulsa Conference where I will be speaking and leading a hands-on session on creating Compelling Images for Social Media.
Screw The Fashion Police
You are in the crowd at the edge of the red carpet at the Oscars and a famous star with a snake tattoo, a bizarre dress that is sure to put her on the worst dress list and some god-awful makeup walks by as the crowd around you whispers terrible things about her. But you? All you see are earrings that rock your world. Everyone else hates them but you love them. You take a quick pic of all of her because that is what you are supposed to do, but then you focus in and take a photo of what you really love, her earrings.
That individual photo might seem to be about a Star’s earrings but do that again and again and again, wherever you go, and people will realize it’s also about you. They will see who you are. You will have your own identity, your own point of view, your own visualization of who you are and what you love in the world. And everyone else will know who you are as well.
And there you have the secret of how to find a compelling image, by having the courage to follow what compels you. It’s as simple as that.
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Drawing and commentary by Marty Coleman, who design her tattoo for her.
Quote also by Marty Coleman, who designed her earrings too. However, she is to blame for the makeup, which I tried to talk her out of.
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by Marty Coleman | Mar 19, 2013 | David Alan Harvey, Photography |
I am speaking this week at the Social Media Tulsa Conference. A link to the conference website is below and you are invited to attend. My topic is ‘The Compelling Image in the Age of Social Media’. This week I am drawing some images that will introduce various areas I want to cover.
What Compels You?
This one applies whether you are posting your photo to social media sites or not. It’s about focusing less on documenting the dry look of what happens and focusing more on capturing the compelling feeling of what happens.
Look for the Feeling
This can happen in one of 2 ways. You can choose to focus on something that, in it’s very look, visualizes a feeling. The drawing above is an example of that. The bloody foot and sock after an ultra marathon tell more about the feeling of the event than does a simple photo of the participant raising a medal with a smiling face. Obviously, there is nothing wrong with photographing that smiling face, but if you REALLY want to express the feeling, you might consider looking at what conveys that feeling. Is it the sweat on the brow, the person pouring water over their head, maybe the bloody sock? Investigate how the feeling is visualized in the moment and capture it.
Create the Feeling
The other way it can happen is by the technique you use to take the photograph. I once took a series of photos at one of my daughters’ birthday party. We had a pinata set up and I took a number of photos of the kids at the party swinging at it. In most of the photos my flash worked as you would expect, it froze the action. But in a few I purposely set the exposure of the camera much longer, so the flash went off but there was a trail of action that was in the photo as well. Those were the images that gave the feeling of the girls having fun, swinging at a pinata. The feeling was in the action, not just in the frozen moment. Learn what techniques you have available to you to help get across the feeling.
Social Media Tulsa Conference
The conference is Thurs/Fri, March 21st & 22nd at the Mayo Hotel in beautiful downtown Tulsa. You can still register to attend, here is the link to the Social Media Tulsa website with the agenda, schedule, speakers, etc.
My presentation is Thursday, 3/21 at 3:30 in the Penthouse of the Mayo Hotel. It is going to be a combination of speaking and hands on workshop. If weather permits we will be going out onto the roof of the Mayo to take photos so bring your camera phone if not a bigger camera!
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Drawing by Marty Coleman
Quote by David Alan Harvey
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