Finally, after many years of not being able to get out and draw live i’ve started to sketch in person again. These are from the winter of 2022-2023 in various locales; in a waiting room, at a pharmacy, at a coffee shop, in church and on a train. Sometimes I talk to the person, sometimes I don’t. It all depends on the circumstances and proximity.
These are done with a Copic brand pen and Copic brand color markers.
Annie finished reading her daily scripture and was contemplating its meaning when the phone rang. She decided, based on her morning study, that she was not going to answer the phone. The phone call was from the National Academy of Poodle Excellence and they were going to offer her a job as Executive Vice President. This wasn’t the first time she hadn’t answered a call from this number so they eventually gave up on her. They offered the job to Sid, a poodle in Oklahoma, who took it and eventually reached world-wide fame as the CEO of NAPE.
Annie meanwhile continued her studies and was never the wiser because she didn’t watch the news.
The End
Drawing and story © 2021 Marty Coleman | napkindad.com
Here are 10 drawings I’ve done over the Winter and Spring of 2021. Let me know your favorites!
‘The Tik Tok Dancer’
Ink on Paper
2021
She practiced her TikTok dance in the mirror in the room with her favorite dog and painting on a Sunday instead of going to Temple.
‘The Sunbathers’
Ink on Paper
2021
“I Like to Sleep in the Sun.”
“Me Too.”
‘The Overdramatic Musician’
Ink on Paper
2021
The story is told of the time when the melodramatic musician overreacted to the famous painting of Mt. Vesuvius and burst an embolism and died right at that spot and made it even more famous!
‘Spiraling’
Ink on Paper
2021
‘American Allegiance’
Ink on Paper
2021
‘The Whiner’
Ink on Paper
2021
“Whoa (yes, I know it’s spelled wrong) is me why me who am i why cant i when will this how will i ever what will how will i be?”
“OMG, why did I get such a whiner for a mom? Damn, that means I am going to be the grown up from day one. UGH!”
‘The Posers’
Ink on Paper
2021
‘The Vacationer’
ink on Paper
2021
‘The Prayer’
Ink on Paper
2021
‘The Fish Whisperer’
ink on Paper
2021
Copyright © 2021 Marty Coleman | napkindad.com
I sometimes think ahead and scan my line drawings before painting them. I thought I would show some of them to you side by side. The drawings were all done live at the scene. Painting was done afterwards in my studio. Five of these were done in coffee houses, one was done on an airplane.
There is a slider you can control, going from just line to fully painted. What do you think?
Part 2 will be the vertical drawings
© 2021 Marty Coleman | napkindad.com
The woman had rarely been out of the house for the last 12 months. The last time was picking up her daughter from the day care center the day it closed down. Since then she’d had groceries and meals delivered or her partner had gone shopping. She had worked remotely and had done all her exercising either on her own or via zoom.
She had gotten into the habit of staying in her sweats all day, not wearing a bra, makeup or doing anything with her hair. She told herself she liked it like that because it was so much easier.
But when it was time for their vaccine appointment she put on a bra and makeup and even colored her hair her favorite color. She put on her best tank top (it was hot that day) and her old skinny jeans and tried out a new pair of hoop earrings she had got for her birthday but had no reason to wear over the year. It made her unexpectedly happy to do all this.
They waited in the car line for about 20 minutes then it was their turn. She was so excited she forgot to put her mask on but no one said anything about it. She made sure to be on the passenger side with her partner driving so the shot would be in her right arm since she was left handed. She thought the nurse was the prettiest woman she had ever seen in her life and told her so. Her partner smiled because she had missed seeing that part of her over the year. Then they waited 15 minutes until the nice firefighter signaled they could go.
When they got home the first thing she did was take off her bra. But she kept the rest of her clothes on because they made her feel good. Then they had bologna sandwiches and potato chips to celebrate as they finally planned their long-delayed wedding.
© 2021 Marty Coleman | napkindad.com
Back before the Pandemic, when we could actually go and hang out in coffee houses, I did so on a regular basis. Way back in October of 2016 I tried a new cafe, Chimera, in the Tulsa Arts District. After I settled in I drew the scene in front of me in my sketchbook while I sipped my coffee. I used a Japanese brush pen called Copic Gasenfude.
Fast forward 5 years. I was looking through that sketchbook and realized I never finished the drawing. Of course, 5 years later I had no memory of the actual colors of anything. All I knew was the bricks were red so I started there. After that it was simply using colors and tones I thought looked good in the scene and together. I added brick under the counter as a way to tie the image together even though I don’t think there actually was brick there.
This is an important thing to remember about art – unless you are being paid to replicate something or someone then what matters is how your image looks, not how accurate you are in copying reality. The image IS the reality people are looking at, not the original thing. That is why so many drawings and paintings made from photographs are so bad, because they look like bad drawings and paintings of photos, not good pieces of art.
Worry less about unoriginal and uncreative copying and trust more your own eye and hand to create something of interest.
© 2021 Marty Coleman | napkindad.com
The painting looked at her longingly, hoping she would feel the same. She did, paying $765,000 for her and putting her over her couch so they could watch TV together.
The portrait sat there for years but the serpent was a good singer so she didn’t mind.
The metal sculpture was always hoping for visitors but was usually alone because of the volcano.
The dream recognized his recent lover but took no responsibility, blaming the image and deed for her condition.
The ancient sculpture spontaneously started crying oil paint of various colors from every minute crack and became a pilgrimage spot for all true artists from everywhere.
The sculpture enjoyed blocking the view of the nude since she was jealous of her having a body.
© 2021 Marty Coleman | napkindad.com
These portraits from 1988 and 1989 are all from my sketchbook. Most of the models were friends from work or were students I asked to model to illustrate how to draw portraits.
I asked my students to use sketchbooks extensively because I wanted them to draw as often as possible. Waiting until you are in the studio makes sense for media that needs elaborate prep but drawing doesn’t. You can do it on anything anywhere.
I would demonstrate my use of a sketchbook by using them as models in the lecture portion of the class then have them do the same, using each other as models.
I wouldn’t often get very far with the drawings while they were actually posing for me, usually just a line drawing like you see in the first few drawings. But I would work on them later and show them at a later session to show how you can start with very basic lines and take off from there, even without the model being present.
I taught that there is power in focus. You don’t have to complete a drawing edge to edge, as a matter of fact, leaving most of it barely sketched in often allows the focus to be where you want it.
These may look pretty realistic to some but they really aren’t. They are a stylized realism, not photo-realism. I taught that an absolute likeness is not essential unless you are being paid to do that. If not, then you can and should feel free to compose and stylize as you wish. It’s how you develop your own look and style.
Individual style comes from adaptation of what is into what you want it to be. In my case I love definition, contrast and volume so I increase the lights and darks much further than they were in real life to achieve that.
In my opinion, no one needs a photographic copy of someone in a drawing. There is photography for that. The acclaim that comes from someone saying, ‘Wow, it looks just like a photograph!’ is nice, but in my opinion it’s just a gimmick unless something much deeper is being expressed (which is possible with photo-realism, I just don’t see it often).
And of course, my work wouldn’t be complete without adding in a cartoon image, preferably including my longest running characters, Singing Snake and Turtle.
Drawings and commentary © 1989-2021 Marty Coleman | napkindad.com