Thin Ice and Hot Water – Quotes on Quotes #2

Don’t quote me, but it appears to be day #2 of Quotes on Quotes week at the NDD

Thin Ice and Hot Water

This is a quote about cliches.  Cliches are usually embodied in quotes.  Thus, this is a quote about quotes.

This quote is about language.  Language explains things.  Thus, this quote explains things.

This drawing is by Marty Coleman.  Marty is left handed.  Thus, this drawing should be looked at left to right.

This quote is by Franklin P. Jones. Franklin was a reporter and lived from 1908-1980.  Thus, this quote is reporting something strange.

Ben Said it First – Quotes on Quotes #1

It’s day 1 of Quotes on Quotes week.  Do you have any great quotes about quotes? Let me know about them!

Ben Said it First - Quotes on Quotes Week

Have you ever known something was completely, absolutely true but no one would believe you because you are just a schmuck friend or family member? Then a month or two goes by and that same person who didn’t believe you comes back and says, “Hey, did you know that XXX is true? I read it in the Times this weekend.  Isn’t that amazing?”  You, of course, want to kick them in the head and say, “I ALREADY TOLD YOU THAT AND YOU DIDN”T BELIEVE ME, YOU KNUCKLEHEAD!”

That is where being an authority comes in handy.  I think the best way to be an authority is to give credit for everything you know to Ben or George or maybe Einstein or Edison, even if it’s your idea.  A little less ego but more recognition isn’t all that bad a way to go.

Drawing by Pable Picasso

Commentary by Ralph Waldo Emerson

Quote by Aristotle

What Animals Know – Dogs vs Cats #5

It’s the final day of Dog and Cat week. Enjoy it, it’s what you were meant to do!

What Animals Know That We Don't

That doesn’t mean you feel joy all the time. It simply means you pursue joy and happiness.  Don’t be fooled into thinking it’s selfishness.  Do it right and you will end up helping your family, friends, co-workers, and complete strangers be happier and have more joy as well.

Drawing by Marty Coleman, who once went to a real bullfight in France.

Quote by Samuel Butler.  It might be THIS Samuel Butler or maybe it’s THIS Samuel Butler.  If you figure it out, let me know, ok?

How To Call Your Pet – Dogs vs Cats #3

Dog gone it if it ain’t day #3 of Dog and Cat week at the NDD!

Dogs and Cats 3

I open the door for the dogs and Wiggle Dog comes in at a full gallop, even if I just let her out.  Stubby Dog comes pretty close behind, unless it’s particularly nice out, in which case she put on her cat persona and looks at me with that ‘aren’t you going to come out and play?’ look.  Normal Cat meanwhile wants to come in.  I know she wants to come in because she is whining at the window telling me so.  I know she will trail behind the dogs, but what I haven’t quite gotten used to is the fact that I need to put my winter coat on because she will take SO LONG to get to the door that I get a little bit of frostbite otherwise.

She also happens to be the only one of our four legged roommates who has been almost arrested for breaking and entering.  She scared the bejesus out of a neighbor once by going in through their doggy door and rubbing up against her leg while she stood at the sink washing dishes.  To say she freaked was an understatement.  I got her off serving time by my charm and a well-timed bribe to the cat police. She still owes me.

Drawing and funny story by Marty Coleman, who once painted his picket fence to match his dalmatian, Oreo.

dalmatian fence

Oreo and her fence

Quote by Mary Bly, 1962 – not dead yet, American author under the pen name Eloisa James

Why You Need Both – Dogs vs Cats #1

It’s ‘Dogs and Cats’ Week at the NDD!

dogs and cats in perspective

When I would come home to visit my parents from college or from whatever far off place I happened to be living my mother would go crazy wild with joy to see me. She would cry, she would hug, she would be loud and happy.  That’s how dogs are.

I once went back to visit my home town of San Diego. While I was there I went to visit a family friend I had not seen in probably 20 years.  His greeting to me was a mild handshake and a ‘hey, how are ya?’ as if he had seen me the day before.  That’s how cats are.

Drawing and reminiscence by Marty Coleman, a dog for sure.

Quote by Dereke Bruce, maybe a chef, maybe a former vet, I am not sure.

Artists I Love – Henri Matisse – Winter Weekend series

 

I am continuing on with a series about the artists I love and who have influenced me in some way.  Last week it was Rembrandt, this week it’s Henri Matisse.

Henri Matisse, 1869-1954, has been one of my main influences among modern artists in the use of color and in line drawing.

 

 

Le Danse with Nasturtiums

Le Danse with Nasturtiums – Oil on canvas – Matisse

 

I first saw Matisse’s work in NYC at the Museum of Modern Art when I was a young teenager, probably around 13 or 14.  I loved the color and compositions. I bought a poster of this image above and had it in my room for the rest of my teen years.

 

Harmony in Red

Harmony in Red – Oil on canvas – Matisse

 

This is another painting that affected me greatly. I absolutely fell in love with the idea that the patterns could be equal in importance to the spatial depiction.  yes, it’s a room, but it is flat and beautifully patterned as well.  The composition is so perfect, I can’t imagine anything being changed in it.  I love this piece.

 

The Piano Lesson

The Piano Lesson – Oil on canvas – Matisse

 

Yet another fantastic image that combines the idea of space with the flatness of pattern, color, composition and contrast.  You can see he is slowly moving away from a realistic depiction of space.

 

Pink Nude

Pink Nude – Oil on canvas – Matisse

 

As Matisse aged he moved into a period where his emphasis was almost purely on color, shape and composition.  He always had joy and brightness in his work but as he simplified he let those elements come out to an even greater extent.

 

Themes and Variations

from ‘Themes et variations’ – Henri Matisse

Themes et variations

from ‘Themes et variations’ – Henri Matisse

florilege

Portrait – Line Drawing – Matisse

 

In my opinion, there is no greater minimalist draftsman then Matisse. His ability to express form and feeling in the fewest of lines is unequaled.  I have spent most of my life as an artist drawing in sketchbooks. I have more than 30 of them now.  If you look up ‘sketchbook history tour’ in the series drop down menu on the right you will be able to see a selection of that work over many years.  My best drawings in those sketchbooks are the ones that are closest to the ideal of simplicity of line that Matisse taught me.

 

Matisse in bed

Matisse drawing while confined to his bed.

 

As Matisse neared the end of his life he was confined to both a wheelchair and to a bed at various times.  In spite of that he continued to work, creating some of his greatest masterpieces by using the long extension for his drawing tool and with the use of cut outs.  His simplification of beauty was complete and he left us as powerfully creative as when he started almost 70 years before.

 

Matisse in his wheelchair

Matisse working on a Cut Out while confined to a wheelchair

Tristel

Tristel – Matisse Cut Out

 

I took my daughters to Europe in 2003 and made a stop at the Matisse Museum in Nice, France.  I picked out this piece along with 2 others from that era and bought reproductions of them. When I got home I had them framed and they are great reminders of both his genius and a fantastic family adventure.

 

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Fall/Winter 2016

Summer 2014

Winter 2012/2013

Winter 2011/2012

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Forcing Love – Laws of Attraction #2

Laws of Attraction week continues at the NDD

Forcing Love

Have you ever tried to fall in love?  It’s sort of like trying to enjoy the taste of food you don’t like.  It’s possible you could end up liking it, that is true. Obviously from childhood to adulthood we like things that at first we really hated. Just watch a kid take a taste of wine or beer or eat a bite of brussel sprouts. It’s not very likely they will have a happy face.  But given enough time they might come to enjoy it.  Will they come to love the taste? Perhaps.  Will the come to be IN LOVE with that substance? Probably not.  Probably the substance they are going to have the deepest affection for is the stuff they loved as a small child, from the beginning. That is why comfort food is called comfort food, because we are so in love with that great feeling of security and comfort we find in that food from our childhood.

Love can be the same way.  I once saw a report on arranged marriages and how statistically they have an equal or better chance of lasting than a typical western ‘fall in love, romantic’ marriage.  Why is that?  A lot of reasons beyond being in love, obviously. But the report did interview a number of long term married couples who started in arranged marriages.  Their comments could be reduced to this; ‘marriage first, love later’.   Western inclinations lean towards the opposite; ‘love first, marriage later’.   But how many of our western marriage actually keep that ‘in love’ feeling alive after so many years?  Doesn’t the marriage have to rely on something more than that feeling, which may or may not always be there?

So, in my head while you can’t, and shouldn’t, force love, you can build love.  You can, over time, find things about the other person that cause you to fall ‘in love’ with them again and again, but in new ways you could not have anticipated because life and what happens to us is unexpected.  The key is to always be open and available for that to happen at any moment now or into the future. It might be an event, it might be a change in your heart, who knows.  But it can happen, and if you are paying attention, it might happen sooner than you think.

Drawing and commentary by Marty Coleman, a lover not a fighter.

Quote by anonymous

Writing Lesson #7 – Style and Substance

Another in my occasional series on writing.

Writing Lesson #7 - Substance

Writing Lesson #7 zazzle_print
Writing Lesson #7 – Classroom posters by The Napkin Dad

Have you ever been on a movie set? If you have you know how fake the whole thing is.  Beautiful buildings, looking solid in marble and brick are in fact wood facades with painted on brick and marble.  Luscious landscaping with exotic plants turn out to be plastic and fake.  Actresses in ornate costumes turn out to have old t-shirts and shorts on underneath, not the sexy lingerie the outer garment suggests.

Writing is similar.  All the stylistic hoops you jump through won’t be of value unless there is a real story underneath. Something of substance that is worth the reader spending their time paying attention.

Pay attention to that and all the style you want can be added on. Ignore it and all the style in the world won’t overcome the emptiness.

Drawing and commentary by Marty Coleman, who types left handed.

Quote by Stanley Schmidt, 1944- not dead yet, American science fiction author